Within its focus on the elephants and the protagonists, this book is lovely, tender, and moving.
A very special bond develops between a group of elephants and the owners of an African wildlife refuge.
Thula Thula is a huge fenced refuge where rangers protect all the animals that live within. No hunting is allowed here. Lawrence and Françoise, the real-life proprietors of this enclave, are alerted to the plight of a herd of elephants, enraged after being hunted and mistreated, that threatens a village. Lawrence readily agrees to keep them at Thula Thula. Upon arrival, the elephants are placed in a boma, a wide fenced corral. But in their agitated state, they break down all the fences and escape, getting dangerously close to areas where they may be hunted. In brief, action-packed sentences, Tomsic informs readers of all the steps taken to bring them back, with the text placed against Hooper’s beautifully realized illustrations of African animals and the vast, gorgeous landscape. It is Lawrence’s concern, patience, and heartfelt communication with the elephants that form the heart of the tale, for long-lasting connection between these special humans and the animals they love is palpable. Lawrence Anthony (now deceased) was a White South African; Françoise Malby-Anthony is a White Frenchwoman. Secondary characters are Black, presumably Zulu. Sadly, the text does not locate Thula Thula in South Africa, nor does it address thorny issues resulting from the legacy of colonialism.
Within its focus on the elephants and the protagonists, this book is lovely, tender, and moving. (author’s note, acknowledgements, works cited) (Picture book. 4-9)Pub Date: May 18, 2021
ISBN: 978-1-4521-2783-5
Page Count: 68
Publisher: Chronicle Books
Review Posted Online: May 4, 2021
Kirkus Reviews Issue: May 15, 2021
Touching and informative: a beguiling invitation to share a branch with a pair of laid-back, uniquely adapted tree dwellers.
A slice of rainforest life.
In the same vein as their Secret Life of the Skunk (2019), Pringle pairs an intimate account of the life of a brown-throated three-fingered sloth to Garchinsky’s impressionistic crayon-and-pastel close-ups of their subjects. Both the protagonist sloth and, later, her offspring bear smiles that may seem at first glance to be anthropomorphic, but that is actually their natural expression. If naming the mother sloth Perezoso (Spanish for sloth, Pringle explains in his afterword) and later commenting that the two sloths sometimes go for a swim “just for fun” stretches reality a bit, in general the author sticks to plausible behavior and emotional responses in his evocatively slow, careful descriptions of the animal’s arboreal habits and physical features. Brushes with a harpy eagle and, following a once-a-week descent to ground level to poop, a jaguar provide dramatic moments, and the closing revelation that once young sloths have grown and learned enough to be independent, it’s the parent who leaves to find a new home range may surprise even well-read young naturalists. (They probably won’t be surprised by the final note about human threats to sloths and their habitats, though.)
Touching and informative: a beguiling invitation to share a branch with a pair of laid-back, uniquely adapted tree dwellers. (glossary, bibliography) (Informational picture book. 6-9)Pub Date: April 20, 2021
ISBN: 978-1-63592-309-4
Page Count: 32
Publisher: Boyds Mills
Review Posted Online: July 29, 2021
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BOOK REVIEW
Unsuitable for school or public library shelves but giftworthy starter kits for budding Braques and preschool Pollocks.
Nine prepared scratchboards packaged with a wooden stylus offer invitations to reveal a thematic set of artist’s scenes or, with selective scraping, add customized shapes and patterns to each.
Beneath a layer of removable black into which the outlines of hummingbirds, orchids, leopards, and other jungle flora and fauna are drawn as guidelines, Mirtalipova’s stylized pictures shimmer with pattern and color—which children can see for themselves by mechanically removing the entire layer or, if they so choose, alter (in limited ways) by scraping lines, spots, or stripes of their own. The pencil-shaped stylus, pointed at one end and chisel-ended at the other, comes in a reusable plastic cradle and definitely merits the cautionary hazard notices on the front and back covers. Like the co-published Enchanted Garden (and the other entries in this series), opposite each picture is a set of instructions that mix visual and verbal hints (some in rhyme: “What else is there for you to see? / A lizard climbing up the tree…”) that are capped at the end with an invitation to regard the illustrations as “your own work of art.” Fair enough, though they are really more like cooperative ventures.
Unsuitable for school or public library shelves but giftworthy starter kits for budding Braques and preschool Pollocks. (Novelty. 4-8)Pub Date: July 5, 2018
ISBN: 978-1-78603-141-9
Page Count: 20
Publisher: Wide Eyed Editions
Review Posted Online: June 10, 2018
Kirkus Reviews Issue: Dec. 1, 2018
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