Likely to be popular with young Pete the Cat fans and parents seeking a gentle introduction to preschool.
The popular character enjoys storytime, painting, and a snack on the very first day of preschool.
The younger incarnation of Pete the Cat packs his backpack that he picked out from the store himself, gets a snack from his mom, and rides the school bus with his big brother, Bob (who isn’t much bigger than Pete, sizewise). At school, Pete meets his stylish teacher, Mrs. Lopez, and fellow feline classmates while keeping his signature cool. The day ends with Pete declaring: “Preschool is awesome! Pete loves everything!” James Dean’s big-eyed cats populate the simply drawn scenes that look as though they were painted in preschool-esque fashion with thick swaths of tempera. At a couple of moments (when he eats his banana and declares it tasty and when he sings along) his customarily expressionless face actually breaks into a smile. Kimberly Dean’s text is uninspired, but it’s in sync with the upbeat tone of the series. Pete’s preschool experience, while not particularly realistic, is a highly positive one; refreshingly, there is no trace of the separation anxiety or anxiousness found in many first-day-of-school books.
Likely to be popular with young Pete the Cat fans and parents seeking a gentle introduction to preschool. (Board book. 2-4)Pub Date: June 1, 2019
ISBN: 978-0-06243582-8
Page Count: 24
Publisher: HarperFestival
Review Posted Online: July 23, 2019
Kirkus Reviews Issue: Aug. 15, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Fun format; bland text.
A hefty board book filled with ruminations on the nature of love.
While love is the topic of this board book, it’s the inventive gatefolds and charmingly vintage illustrations that readers will fall for. Brimming with sweeping declarations along the lines of “Love is / strong. // You have my back and I’ll always have yours,” the text sounds like a series of greeting cards strung together. It’s benign enough, but are most toddlers interested in generic proclamations about love? Some statements, like the ones on “unsinkable” hippos or a panda parent holding a cub “steady,” could introduce new vocabulary. At least there’s plenty of winsome critters to fawn over as the surprisingly sturdy flaps tell dramatic little ministories for each cartoon-style animal species. A downcast baby giraffe looks longingly up at a too-high tasty branch; lift a flap to bring an adult giraffe—and the delicacy—down to the baby, or watch an adventurous young fox retreat into a fold-down–flap burrow to learn that “my heart will always be home with you.” At points, the pages are tricky to turn in the correct order, but clever touches, like a series of folds that slow readers down to a sloth’s speed, make up for it. The book concludes with a gatefold revealing a vibrant playground populated with racially and ethnically diverse humans; two are wheelchair users.
Fun format; bland text. (Board book. 2-4)Pub Date: Dec. 1, 2020
ISBN: 978-1-4197-3153-2
Page Count: 84
Publisher: Abrams Appleseed
Review Posted Online: Dec. 24, 2020
Kirkus Reviews Issue: Jan. 15, 2021
Treacle drips from every page. Find self-esteem elsewhere.
The voice of an omniscient narrator, who may or may not be a caregiver, speaks directly to an unhappy child with an invitation to a very special place.
The child follows directions to the beautiful title isle “just across the bay.” Ferried across by a toy elephant in a sailboat, the child is given an enthusiastic welcome by more adorable animals and some other children. The little one swims in a waterfall, rides a giant eagle, relaxes in a hammock, and happily engages with some of the other children. Several of the activities are stereotypically girl-associated, and the other children appear to be girls with varying skin tones and hair textures; the little protagonist has light skin and a brown pageboy and is only suggested as female. After elaborate entertainments and a sweet feast, the child is assured that “someone loves you very, very, very much” before being borne safely home. Deep purple, bright pastel pink, and yellow watercolors dominate the color palette, creating a magical, otherworldly atmosphere. But it is also somewhat creepy as well. The Isle of You exists only for the protagonist’s happiness, even the other children there, who appear to have no existence in the real world. Apparently intended to build self-esteem and comfort, it seems to encourage self-centeredness instead, as does the ending play on the pronunciation of the title words.
Treacle drips from every page. Find self-esteem elsewhere. (Picture book. 2-4)Pub Date: Dec. 11, 2018
ISBN: 978-0-7636-9116-5
Page Count: 32
Publisher: Candlewick
Review Posted Online: Sept. 16, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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