An affecting novel of female friendship and a desire for independence.
Brown’s debut novel tells the story of a Black wife and mother in 1920s Harlem who yearns to be a writer.
Cora James got to know a young Langston Hughes through her job at a Harlem library, and after he goes away to school, she begins a correspondence with him in which she confesses her ambition to become a full-time author herself: “Part of the pain of hell for me is I don’t think I’m being who I need to be,” she writes. Soon after their letters begin, Cora must help her cousin Agnes by reluctantly taking on her job as a cook for the wealthy, White Eleanor Fitzgerald.In the Fitzgeralds’ kitchen, she surprisingly finds some quiet time to write as she works. When Eleanor discovers Cora’s love of literature and writing, she offers to be her patron and take Cora with her to her house in upstate New York for the summer, so that she can write uninterrupted. Brown, the founder of Georgia-based press Minerva Rising, presents a mix of diary entries, letters, and short stories written by Cora—and sometimes fictional material by Hughes—that creates an immersive world, exploring the literature of the Harlem Renaissance and ideas of contemporary authors, and, ultimately, explores the central character’s identity as a Black woman. Overall, this is a powerful novel that offers excellent historical details, but its discussion of poetry and novels are its highlights. By rooting the novel in domesticity with well-developed female characters, Brown speaks to timeless struggles of women who had ambitions that reached beyond traditional expectations. Moreover, Brown crafts Cora as an incredibly perceptive narrator and foregrounds race-related issues through an absorbing plotline with some unexpected turns, showcasing the importance of intersectionality.
An affecting novel of female friendship and a desire for independence.Pub Date: Sept. 20, 2022
ISBN: 978-1-77133-851-6
Page Count: 280
Publisher: Inanna Publications
Review Posted Online: June 15, 2022
Review Program: Kirkus Indie
A vibrant tale of a remarkable woman.
Who was Shakespeare?
Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.
A vibrant tale of a remarkable woman.Pub Date: Aug. 20, 2024
ISBN: 9780593497210
Page Count: 544
Publisher: Ballantine
Review Posted Online: June 15, 2024
Kirkus Reviews Issue: July 15, 2024
A sugarcoated take on midcentury suburbia.
A lively and unabashedly sentimental novel examines the impact of feminism on four upper-middle-class white women in a suburb of Washington, D.C., in 1963.
Transplanted Ohioan Margaret Ryan—married to an accountant, raising three young children, and decidedly at loose ends—decides to recruit a few other housewives to form a book club. She’s thinking A Tree Grows in Brooklyn, but a new friend, artistic Charlotte Gustafson, suggests Betty Friedan’s brand-new The Feminine Mystique. They’re joined by young Bitsy Cobb, who aspired to be a veterinarian but married one instead, and Vivian Buschetti, a former Army nurse now pregnant with her seventh child. The Bettys, as they christen themselves, decide to meet monthly to read feminist books, and with their encouragement of each other, their lives begin to change: Margaret starts writing a column for a women’s magazine; Viv goes back to work as a nurse; Charlotte and Bitsy face up to problems with demanding and philandering husbands and find new careers of their own. The story takes in real-life figures like the Washington Post’s Katharine Graham and touches on many of the tumultuous political events of 1963. Bostwick treats her characters with generosity and a heavy dose of wish-fulfillment, taking satisfying revenge on the wicked and solving longstanding problems with a few well-placed words, even showing empathy for the more well-meaning of the husbands. As historical fiction, the novel is hampered by its rosy optimism, but its take on the many micro- and macroaggressions experienced by women of the era is sound and eye-opening. Although Friedan might raise an eyebrow at the use her book’s been put to, readers will cheer for Bostwick’s spunky characters.
A sugarcoated take on midcentury suburbia.Pub Date: April 22, 2025
ISBN: 9781400344741
Page Count: 384
Publisher: Harper Muse
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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