Demanding better, Jones provides a wise, measured look at the economic and social landscape of America.
A prominent Black activist and YA author delivers a damning, resounding study of the many ways in which fiscal equality is denied to non-White people in the U.S.
“We know we’re equal to white people,” writes Jones. “Only a person in the deepest throes of the white supremacist delusion would say we aren’t. But now we’re fighting for equity. And we won’t get to equity until we rethink the system from the ground up.” By way of a pointed, memorable example, she looks into the history of Monopoly, which, she holds, was designed to teach players not how to get rich but how the financial system is rigged in favor of would-be monopolists—and certainly against Black people, who are legally thwarted or beset with violence whenever it appears that they are making advances. Whites, Jones notes, hold 90% of all wealth in the U.S. even though they represent less than 60% of the population. One reason for this bounty is that home loans and other intergenerational wealth-building instruments, including college loans, were readily extended to Whites while being withheld from Blacks. Jones fires with both barrels, sometimes inaccurately: It’s true that Black popular culture has been appropriated without proper compensation, though not in the case of Elvis Presley’s hit “Hound Dog,” which she attributes to Big Mama Thornton when in fact it was written by Leiber & Stoller. Still, the author’s points are well taken: Black communities can close the wealth gap only with resources that pass from one generation to the next. Jones advises measures for a sort of Reconstruction 2.0 that would channel reparations to institutions and not individuals. “Structural issues are what brought us here,” she writes, “and so structural changes should walk us out of here.” The author also argues that self-improvement, from education to exercise to financial literacy, is “the most revolutionary thing you can do” for people within the Black community.”
Demanding better, Jones provides a wise, measured look at the economic and social landscape of America.Pub Date: Jan. 18, 2022
ISBN: 978-1-250-80512-6
Page Count: 192
Publisher: Henry Holt
Review Posted Online: Nov. 9, 2021
Kirkus Reviews Issue: Dec. 1, 2021
BOOK REVIEW
PERSPECTIVES
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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