Parsons has created a character so appealing in her cheerful brokenness that you won’t want to leave her side for a minute.
A young mother in a suburb between Fort Worth and Dallas wrangles a Texas-size grief.
Parsons’ debut novel—following the story collection Black Light (2019)—follows 25-year-old Kit’s remarkable and original stream of consciousness as it obsessively circles the loss of her younger sister, Julie, who died four years ago while Kit was pregnant. Back when they were growing up in Wink, Texas, where Kit’s beautiful mother still lives, the two had a band with their friend Yesenia called You Are the Universe, a name that grew out of their epic psychedelic adventures on the pink shag rug of a boy known as Big Large. As the novel opens, Kit is about to take an actual trip—a weekend in Montana with her best friend, Pete, ostensibly to help him get over being dumped by his partner, Brian. “I instantly recognized in [Pete] the things I saw in myself—here was somebody with a mighty death drive, somebody bighearted who was also kind of a fuckup, someone who was not exactly overflowing with impulse control.” Until it’s time to go, she’s wheeling her stroller between Hidden Wonder playground, Tiny Toads gymnastic center, and the home she shares with her sweet husband, Jad, and precocious Gilda, a tiny tyrant who “can appropriately use debris in a sentence.” Kit still loves sex and psychedelics, though these days her one-night stands are fantasy only, and she can’t take drugs because she’s still nursing. Nevertheless, both are frequently in her always-interesting thoughts: “I am so, so glad I’ve done acid. Nothing prepares you for childbirth more.” “It’s possible that nothing makes me want sex more than not coming during it.” Along with Melissa Broder’s Death Valley (2023), this book seems suggestive evidence of a New Psychedelia, young women writers updating Carlos Castaneda for the 21st century, filling the eternal trippy desert with love and yearning and laughter.
Parsons has created a character so appealing in her cheerful brokenness that you won’t want to leave her side for a minute.Pub Date: May 14, 2024
ISBN: 9780525521853
Page Count: 288
Publisher: Knopf
Review Posted Online: Feb. 3, 2024
Kirkus Reviews Issue: March 1, 2024
BOOK REVIEW
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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