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PROSPECT HILL

A local treasure for young and old.

A short and sweet coming-of-age historical novel from first-time author Seigh about life in Johnstown, Pa., in the early 20th century–a tumultuous time in America–from a young girl’s point of view.

The book, though slight, covers a lot of ground, including World War I, the women’s movement, Lindbergh’s flight and German-American culture. Seigh also touches on local history, like tragic mining or railroad accidents or feel-good football victories. The author weaves this information together with photographs and news clippings, to give readers a tangible and accurate portrayal of Johnstown from 1914 to 1928. But it’s her engaging young narrator, Doll, who truly brings the epoch to life, sharing her family’s story one year and one chapter at a time. She’s nine years old in 1914–the happy youngest girl in a large German-American family, Doll likes helping her mother and older sister, Lottie, take care of the rest of the clan. But the protagonist’s idyllic childhood ends abruptly when her mother passes away, leaving the two sisters to run the household. Doll’s experiences during the next 14 years–struggling to care for her father and brothers, managing school and making money, gaining independence in adulthood–provide an intimate lens for readers to better understand a historical period. Her lively opinions, description of household chores and conversations with family and friends all give great insight into the life of a girl on the brink of womanhood nearly 100 years ago. By 1928, at age 23, Doll is still caring for her family, but change is on the horizon. She cuts her hair in an act of feminist rebellion, her older sister gets married and her brothers are, for the most part, on their own. It’s time for Doll to take care of herself. Will she find love? Will she move out of Johnstown? Sadly, Seigh doesn’t give readers the opportunity to find out, as the book ends rather swiftly–hopefully the author has a sequel in mind.

A local treasure for young and old.

Pub Date: Sept. 18, 2007

ISBN: 978-0929915-60-9

Page Count: -

Publisher: N/A

Review Posted Online: Jan. 4, 2011

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THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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THE TATTOOIST OF AUSCHWITZ

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...

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An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 16, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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