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REMEMBERING ME

PORTRAIT OF A CHILD ARTIST

An uneven amalgam of memoir, storybook and picture album.

Kestin (Hammy, 2012) offers an illustrated memoir about her 1940s childhood.

Mary Kestin is “three fingers old” and living on a Montana farm as the story begins. Her parents soon move the family to Cheney, Wash., to complete their studies at a teachers’ college, and the book ends before Mary turns 5, when her parents receive their degrees. The tale is structured like a scrapbook, with each short chapter providing a snapshot of a minor event. Kestin’s early life on the farm includes recollections of gathering eggs, playing in fields and a minor farm accident. In Washington, mischievous Mary learns about city life in “A Rope Lesson.” In “‘M’ is for Mary,” the author vividly portrays her first writing experience (“I am the boss of the pencil!”); this epiphany is particularly noteworthy, as the author grows up to be an accomplished visual artist. The poems that end each chapter are less effective, as they often attempt to synthesize nuanced content into simplistic ditties, such as, “Mary has a red berry that makes her tongue cherry and her fingers scary.” Many anxieties slip into the stories, as well; for example, Mary doesn’t understand why her daddy doesn’t like to hug her; her grandmother clearly favors her sister; and she learns that her uncle fell asleep on the couch after drinking too much, which made her aunt mad. Such remembrances may be disquieting for younger readers. However, the author does effectively portray a child’s point of view, as when young Mary sits in the dirt: “I’m plowing a corn field with a table fork. My cow is an empty wooden spool of thread with a long string tied around the middle. I can pull my cow through my fields.” However, adults reading aloud may be stumped to decipher the line, “I want the isinglass egg that the sick boy received with the hole in it that showed a picture of Easter.”

An uneven amalgam of memoir, storybook and picture album.

Pub Date: Aug. 21, 2013

ISBN: 978-1492222149

Page Count: 224

Publisher: CreateSpace

Review Posted Online: Feb. 12, 2014

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THE 48 LAWS OF POWER

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1998

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THE PURSUIT OF HAPPYNESS

FROM MEAN STREETS TO WALL STREET

Well-told and admonitory.

Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.

Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.

Well-told and admonitory.

Pub Date: June 1, 2006

ISBN: 0-06-074486-3

Page Count: 320

Publisher: Amistad/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2006

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