Marvels of craft and insight.
First collection by a National Book Foundation 5 Under 35 honoree and author of Garner (2005), a finalist for the Los Angeles Times' Art Seidenbaum Award for First Fiction.
Not much happens in these stories—not on the surface, anyway. There’s little in the way of dialogue. Allio tells more than she shows. They succeed, though, because Allio’s protagonists are obsessively observant. A Russian émigré working as a nanny re-examines her own life in the light of minutely confessional letters she receives from a former charge. The attempt to understand her best friend’s death subsumes one woman’s whole existence. A new mother, excruciatingly aware of the intricacies of class and the conflicting demands of gender, “knows she’s privileged to be a housewife looking down (from above) on a housewife.” For Allio’s protagonists, hypervigilance is a necessary condition of survival—because of near-crippling social anxiety, because they’ve been critically wounded by loss, or because they’re enduring an awful combination of the two. “The Other Woman” is exemplary. The daughter of a female university janitor who moonlights as a sociologist, Swan can’t escape the jaded worldview bequeathed to her by an amateur social scientist and lifelong hard-ass. For example, this, at a party honoring Swan’s mother-in-law, "the famous feminist": “I heard her bray above the usual modulations and I thought, Alex has spent her career practicing laughing louder than any man in academia.” Cancer does little to soften Swan’s mother, but it eats at Swan, and some of the story’s most finely wrought passages are Swan’s attempts to describe her fear and, ultimately, her grief. Swan’s voice is so real, her observations about class and race and living and dying so very spot-on, that it will likely take the reader some time to notice that “The Other Woman” follows, in its perfect inevitability, the shape of a fairy tale.
Marvels of craft and insight.Pub Date: Aug. 9, 2016
ISBN: 978-1-941088-09-8
Page Count: 280
Publisher: Dzanc
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
BOOK REVIEW
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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