An introduction to a seamy slice of Hong Kong—plus a convent.
A lost soul is stuck between the slums and salvation.
It's 1987. The narrator is a recovering heroin addict, sent by a dying Thai monk to live in a run-down Hong Kong convent. There, he sleeps in a dark, leaky shed and has sex with a wannabe movie star who calls herself Audrey Hepburn. The world of this novel is a treacherous and liminal place to be. There are still 10 years to go before Britain hands Hong Kong over to China, but the preliminary corruption and squalor are well afoot. Diamond Hill, once a Hong Kong slice of Hollywood (Audrey Hepburn claims to have once dated Bruce Lee), is now a shantytown packed with makeshift dwellings that could scarcely be called homes. The towering cranes and encroaching real estate developers share space with heroin addicts and dealers, the latter including Audrey Hepburn’s teen daughter, who goes simply by Boss. Amid this chaos our down-and-out hero sifts for salvation in a place where mere survival might be a more realistic goal. Fan’s prose is both minimalist and highly descriptive; the darker the spiritual corner, the more light he shines. Here’s the protagonist, fiending for a fix: “I scratched my arms until I drew blood, but seeing my blood only made me crave heroin more. The dried blood smelt like a rare steak. I kept licking the wounds for comfort.” He’s a compelling character with a passive streak; he would seemingly settle for being a keen observer. Instead, like Rick in Casablanca, he can’t help but stick his neck out. Fan deftly mixes the sacred with the profane, often on the same page. Just when you decide there’s no room for holiness amid the wreckage, you realize there may in fact be no other option.
An introduction to a seamy slice of Hong Kong—plus a convent.Pub Date: May 4, 2021
ISBN: 9781-64286-088-7
Page Count: 304
Publisher: World Editions
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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