An intimate, honest exploration of motherhood, compassionate and beautifully written.
In this memoirlike novel by prizewinning Norwegian author Skomsvold, a writer confides a stream of thoughts and fears to her second child, a baby.
Affected by memories of a debilitating illness, and struggling with anxiety and depression, the narrator is terrified of failing as a mother. "I’m useless when it comes to looking after things. I ruin everything, especially the things I treasure most." Before falling in love with her husband, Bo, she'd been resigned to not having children. After the birth of her first son, she became convinced her brain was altered. "The only thing I managed to write was that I was crying. I’m crying, crying all the time, I wrote." Now, with her second son, she's determined to return to writing. "I wake up in the mornings and look at you and say, today we must work, little one! It was as if you had to come, as if I had to have you to tell you all these things, you had to come and create another new beginning so that I could see in some reasonably clear light the years that went before, and see the change that has taken place." The book, loosely addressed to the baby, details her struggles and anxieties, family history, moments of both panic and calm. She tells him about a beloved aunt, about her and Bo's courtship, the story of a friend who committed suicide. The vivid, fragmentary narrative is shot through with a sense of the passing of time: "I didn’t realize how fast everything changes, how briefly the magnolia trees are in bloom, how quickly the pinched-handkerchief bracts of the dove tree disappear. I’d sat with the child in my arms all through the spring, the summer, the autumn; he was in my arms and in my heart and all the time he was changing ever so slightly. There was something new by the minute, and something else that was lost, and before I knew it that time was gone." As she writes her thoughts and observations, we witness her slowly gaining a greater sense of equanimity. "Fortunately it’s not just happy stories that end well."
An intimate, honest exploration of motherhood, compassionate and beautifully written.Pub Date: Oct. 12, 2021
ISBN: 978-1-948830-40-9
Page Count: 160
Publisher: Open Letter
Review Posted Online: Aug. 17, 2021
Kirkus Reviews Issue: Sept. 1, 2021
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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