An ambitious, if sometimes overwhelming, take on an alien’s-eye view of a divided Earth.
Dehmelt, in this debut SF novel, imagines how a group of extraterrestrials would view the United States based on what Americans put on the internet.
It’s 2021, and high schooler DJ Jones lives in Florida, where his QAnon-obsessed father serves in the state senate and is hellbent on resisting the mask mandates of Democratic president Moe Wyden. DJ himself prefers to spend his time playing video games and exploring the darker corners of the web. That’s where he first encounters the Daft One—real name: Daft Mejora—who claims to be a representative of an alien species assigned to study Earth and its violent tendencies. Along with his alien associates, the Donger Ponus (an inanimate horse made of porcelain that looks like a collection of penises) and the Wise Old Owl (a sentient owl who speaks in rhyming couplets), the Daft One studies Covid-era America. Disguised as a fellow teen, Daft follows DJ through a world that’s descending into chaos as intractable political battles affect seemingly every aspect of modern life. Still, Daft admires some humans—but can he and DJ come up with a way to keep them all from killing each other? The novel is told from Daft’s perspective, and his narrative voice gives the book a distinct texture and serves as its primary satirical device. Very early on, for instance, he describes the United States as “the LAND OF OPPORTUNITY, the place where dreams become real and what’s real becomes fake depending on exactly where you stand.” There is some fun spoofing of American mores here, and Dehmelt proves to have a voracious and playful imagination. The book’s prose is quite dense, however, and its topics are emotionally exhausting even without the freneticism of Daft’s obsessive and often obscene observations. A sequel is planned, but it doesn’t feel entirely necessary.
An ambitious, if sometimes overwhelming, take on an alien’s-eye view of a divided Earth.Pub Date: N/A
ISBN: N/A
Page Count: 147
Publisher: Manuscript
Review Posted Online: June 17, 2022
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
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