More gift book than storybook, this is a meaningful addition to nursery bookshelves
A young child explores the unlimited potential inherent in all humans.
“Have you ever wondered why you are here?” asks the second-person narration. There is no one like you. Maybe you’re here to make a difference with your uniqueness; maybe you will speak for those who can’t or use your gifts to shine a light into the darkness. The no-frills, unrhymed narrative encourages readers to follow their hearts and tap into their limitless potential to be anything and do anything. The precisely inked and colored artwork plays with perspective from the first double-page spread, in which the child contemplates a mountain (or maybe an iceberg) in their hands. Later, they stand on a ladder to place white spots on tall, red mushrooms. The oversized flora and fauna seem to symbolize the presumptively insurmountable, reinforcing the book’s message that anything is possible. This quiet read, with its sophisticated central question, encourages children to reach for their untapped potential while reminding them it won’t be easy—they will make messes and mistakes—but the magic within can help overcome falls and failures. It’s unlikely that members of the intended audience have begun to wonder about their life’s purpose, but this life-affirming mood piece has honorable intentions. The child, accompanied by an adorable piglet and sporting overalls and a bird-beaked cap made of leaves, presents white.
More gift book than storybook, this is a meaningful addition to nursery bookshelves . (Picture book. 2-8)Pub Date: Sept. 15, 2019
ISBN: 978-1-946873-75-0
Page Count: 40
Publisher: Compendium
Review Posted Online: May 21, 2019
Kirkus Reviews Issue: June 15, 2019
The joys of counting combine with pretty art and homage to Goodnight Moon.
This bedtime book offers simple rhymes, celebrates the numbers one through 10, and encourages the counting of objects.
Each double-page spread shows a different toddler-and-caregiver pair, with careful attention to different skin tones, hair types, genders, and eye shapes. The pastel palette and soft, rounded contours of people and things add to the sleepy litany of the poems, beginning with “Goodnight, one fork. / Goodnight, one spoon. / Goodnight, one bowl. / I’ll see you soon.” With each number comes a different part in a toddler’s evening routine, including dinner, putting away toys, bathtime, and a bedtime story. The white backgrounds of the pages help to emphasize the bold representations of the numbers in both written and numerical forms. Each spread gives multiple opportunities to practice counting to its particular number; for example, the page for “four” includes four bottles of shampoo and four inlaid dots on a stool—beyond the four objects mentioned in the accompanying rhyme. Each home’s décor, and the array and types of toys and accoutrements within, shows a decidedly upscale, Western milieu. This seems compatible with the patronizing author’s note to adults, which accuses “the media” of indoctrinating children with fear of math “in our country.” Regardless, this sweet treatment of numbers and counting may be good prophylaxis against math phobia.
The joys of counting combine with pretty art and homage to Goodnight Moon. (Picture book. 2-4)Pub Date: March 7, 2017
ISBN: 978-1-101-93378-7
Page Count: 40
Publisher: Crown
Review Posted Online: Dec. 5, 2016
Kirkus Reviews Issue: Dec. 15, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Though this celebration of community is joyful, there just is not much here.
A sugary poem, very loosely based on the familiar song, lacks focus.
Using only the refrain from the original (“One love, one heart, let’s get together and feel all right!”), the reggae great’s daughter Cedella Marley sees this song as her “happy song” and adapts it for children. However, the adaptation robs it of life. After the opening lines, readers familiar with the original song (or the tourism advertisement for Jamaica) will be humming along only to be stopped by the bland lines that follow: “One love, what the flower gives the bee.” and then “One love, what Mother Earth gives the tree.” Brantley-Newton’s sunny illustrations perfectly reflect the saccharine quality of the text. Starting at the beginning of the day, readers see a little girl first in bed, under a photograph of Bob Marley, the sun streaming into her room, a bird at the window. Each spread is completely redundant—when the text is about family love, the illustration actually shows little hearts floating from her parents to the little girl. An image of a diverse group getting ready to plant a community garden, walking on top of a river accompanies the words “One love, like the river runs to the sea.”
Though this celebration of community is joyful, there just is not much here. (afterword) (Picture book. 3-5)Pub Date: Oct. 5, 2011
ISBN: 978-1-4521-0224-5
Page Count: 32
Publisher: Chronicle Books
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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