by Kody Keplinger ‧ RELEASE DATE: Aug. 28, 2018
A timely page-turner that will resonate with readers.
A school shooting survivor is determined to correct untrue stories about the tragic event.
Senior Leanne Bauer faces the third anniversary of the incident that took nine lives at rural Virgil County High School. Afterward, tales spread that her best friend, Sarah, defended her Christian faith before she was murdered, something eyewitness Lee knows to be untrue. However, Sarah’s religious family and the community at large embrace that story. When fellow survivor Denny asks Lee to read his college scholarship letter, she is inspired to ask the other eyewitnesses to write their stories too. One of the six, Kellie, has moved away, her family hounded when she insisted that the cross necklace found at the site actually belonged to her, not Sarah. Lee becomes convinced that she must get Kellie to participate if the project is to be complete. Echoing highly publicized tragedies, this taut, emotional story goes behind the headlines to reveal lives impacted by school violence. The characterizations are strong: Gay, Latinx Eden struggles with guilt over her difficult relationship with her murdered cousin. White, fervently Christian Ashley is a staunch supporter of the accepted narrative, while Miles, white and already troubled before, is even more withdrawn. Denny, African-American and blind, appears the most grounded, though readers only glimpse his backstory. White, working-class Lee is a nuanced and believable protagonist.
A timely page-turner that will resonate with readers. (Fiction. 12-18)Pub Date: Aug. 28, 2018
ISBN: 978-1-338-18652-9
Page Count: 336
Publisher: Scholastic
Review Posted Online: May 27, 2018
Kirkus Reviews Issue: June 15, 2018
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by Kody Keplinger ; illustrated by Sara Kipin
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by E. Lockhart ‧ RELEASE DATE: May 13, 2014
Riveting, brutal and beautifully told.
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A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.
Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.
Riveting, brutal and beautifully told. (Fiction. 14 & up)Pub Date: May 13, 2014
ISBN: 978-0-385-74126-2
Page Count: 240
Publisher: Delacorte
Review Posted Online: March 16, 2014
Kirkus Reviews Issue: April 1, 2014
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by Daniel Aleman ‧ RELEASE DATE: May 4, 2021
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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