Radish’s (A Grand Day to Get Lost, 2013, etc.) latest work of nonfiction is a collection of vignettes taken from her own life, from her self-conscious childhood to her days as wild child, hard-boiled reporter and devoted mother.
These stories offer a vast, eclectic array of experience, depicted with the grit and incisiveness of a journalist who’s covered brutal events such as domestic violence, murder and war. Radish’s prose is a joy—energetic, attitudinal, often hilarious and perfectly suited to the anecdotal form. Having met a man claiming to be Jesus, for example, Radish quips, “Well, I’m not dressed for this encounter.” Readers become well-acquainted with the author’s oft-espoused “fearless broad” philosophy, and she’s at her best when recounting experiences in which she takes center stage. In “The Little Girl and the Tomatoes,” for example, she describes a childhood job in which she picked tomatoes in stultifying heat and how it engendered her lifelong sense of tenacity. In “Paper Clips, Two-Sided Paper, My Penis Please,” Radish recounts, with equal parts dark humor and rage, attending the funeral of an editor who sexually assaulted her under the guise of mentorship. However, the essays about marginalized individuals are less convincing, as they present the people almost entirely through Radish’s own perception, projecting attributes, pasts and even afterlives onto them instead of describing their own lived experience. An encounter with writer Eudora Welty, for example, is less about the woman herself than about Radish’s visceral reaction to Welty’s presence and advice, and in “Soldier Boy,” the author recounts a brief encounter with a young soldier about to go to war, imagining a hypothetical trajectory of his life and a detailed scenario for his death.
A bold, rollicking work that often reveals more about the author than her subjects.
Pub Date: July 22, 2014
ISBN: 978-1940716435
Page Count: 240
Publisher: SparkPress
Review Posted Online: July 15, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Brimming with open introspection, engaging anecdotes, and gorgeous photographs, Field’s moving account sheds light on how...
A beloved actor attempts to assemble her fragmented past.
In her debut memoir, Field (b. 1946) takes to the page to explore her early life and storied acting career; she also pens an extended love letter to her mother, who died in 2011, on the author’s 65th birthday. Described by the author as “drop-your-jaw beautiful,” Margaret Morlan was discovered by a Paramount talent scout while sitting in a Pasadena Playhouse audience and instantly got a career at age 23. Affectionately called “Baa” by Field, Morlan never achieved anywhere near her eldest daughter’s screen credits, but she played a central role throughout Field’s life as both a peerless champion of and “backup generator” to her daughter’s burgeoning talents. Baa was also a complicated source of great psychological trauma, as she failed to protect her daughter from the sexual advances of her stepfather, stuntman Jock Mahoney. While the memoir details the rapid progression of Field’s childhood interest in acting to on-screen success in TV (from Gidget and The Flying Nun to winning the Emmy for Sybil in 1977) and film (for Norma Rae, she won “every award for best actress that existed in the United States”), Field’s narrative of her professional and personal achievements may be best viewed through the lens of her fraught relationship with Baa. “My cherished mother had known…something,” she writes. “What exactly that was, I didn’t want to hear, because even at that time, when I was middle-aged, I couldn’t bear the idea that she hadn’t run to my side….I had accepted the idea that I was broken in an effort to keep my mother whole.” Through acting, Field found a way to constitute herself: “By standing in Norma’s shoes, I felt my own feet. If I could play her, I could be me.”
Brimming with open introspection, engaging anecdotes, and gorgeous photographs, Field’s moving account sheds light on how playing larger-than-life figures has enabled her to keep her feet on the ground.Pub Date: Sept. 18, 2018
ISBN: 978-1-5387-6302-5
Page Count: 416
Publisher: Grand Central Publishing
Review Posted Online: Oct. 11, 2018
A courageous and thought-provoking memoir.
A bestselling memoirist’s account of coping with an unexpected midlife evolution in sexual identity.
When Wizenberg, who runs the popular Orangette blog, received a jury duty summons, she never thought that it would lead to divorce. In court, her eyes were immediately drawn to a female defense attorney dressed in a men’s suit. Her thoughts lingered on the attractive stranger after each day’s proceedings. But guilt at being “a woman wearing a wedding ring” made the author feel increasingly guilty for the obsession that seized her. Her husband, Brandon, a successful Seattle restaurateur, and their daughter were the “stars” that guided her path; the books she had written revolved like planets around the sun of their relationship and the restaurants they had founded together. However, in the weeks that followed, Wizenberg shocked herself by telling her husband about the attraction and suggesting that they open their marriage to polyamorous experimentation. Reading the work of writers like Adrienne Rich who had discovered their lesbianism later in life, Wizenberg engaged in deep, sometimes-painful self-interrogation. The author remembered the story of a married uncle, a man she resembled, who came out as gay and then later died of AIDS as well as a brief lesbian flirtation in late adolescence where “nothing happened.” Eventually, Wizenberg began dating the lawyer and fell in love with her. Wizenberg then began the painful process of separating herself from Brandon and, later, from their restaurant businesses that she had quietly seen as impediments to her writing. Feeling unfulfilled by Nora, a self-professed “stone top” who preferred to give pleasure rather than receive it, Wizenberg began to date a nonbinary person named Ash. Through that relationship, she came to embrace both gender and sexual fluidity. Interwoven throughout with research insights into the complexity of female sexual identity, Wizenberg’s book not only offers a glimpse into the shifting nature of selfhood; it also celebrates one woman’s hard-won acceptance of her own sexual difference.
A courageous and thought-provoking memoir.Pub Date: May 12, 2020
ISBN: 978-1-4197-4299-6
Page Count: 256
Publisher: Abrams
Review Posted Online: Feb. 16, 2020
Kirkus Reviews Issue: March 15, 2020
BOOK REVIEW
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