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THE BODY LANGUAGE OF VERONICA SUE

In bright, heavily brushed painted illustrations, bright-green Veronica Sue poses in comfy dress along with other family...

A plump and (generally) cheery frog models sneezes and sighs, giggles, slumps, growls and other common bodily signals.

In bright, heavily brushed painted illustrations, bright-green Veronica Sue poses in comfy dress along with other family members in a variety of simply rendered indoor and outdoor settings. These paintings deftly incorporate select but well-placed small animations, sound effects and touch-activated balls, flies or other items. Two to four lines of rhymed comment on each manually advanced screen provide explanatory glosses for her sounds, expressions or gestures—“Her tummy says ‘GRRRRR’ when it’s ready to eat. / Her tastebuds say ‘YUM’ when they find something sweet.” Uncertain new readers can get a chirpy audio reading of that page alone by tapping a speaker icon in the corner. A house icon in another corner opens a strip of relatively large thumbnail images for quick backing and forthing. The app isn’t immune to crashes, and the text could use copy editing—Veronica Sue “let’s [sic] out a GASP” at one point, and “tastebuds” is usually two words. Moreover, children with a cognitive disability may have trouble picking up Veronica Sue’s relatively understated cues. Nevertheless, this introduction to nonverbal language is likely to spark both better self-awareness and further discussion.

Pub Date: May 19, 2011

ISBN: N/A

Page Count: -

Publisher: My Black Dog Books

Review Posted Online: July 20, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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TINY T. REX AND THE IMPOSSIBLE HUG

From the Tiny T. Rex series

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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THE WONKY DONKEY

Hee haw.

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The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 28, 2018

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