A winningly authentic, realistic and heartwarming family drama.
A family crisis pushes a 12-year-old wannabe cowboy living outside Chicago in 1953 to resort to bullying and damaging pranks.
Since his baby sister’s birth, Tommy’s normally moody mother’s been like a “sky full of dark clouds.” When his older sister’s seriously burned, Tommy’s left to cope with her daily newspaper route, his increasingly abusive mother, his overwhelmed father and his younger sisters. Tommy reacts by bullying classmates, especially a shy, overweight new boy at school named Sam. When he’s caught stealing from Sam’s father’s store, Tommy retaliates by planting a copy of a communist newspaper found during a community paper drive in the store. After the owner’s accused of being a communist and the store’s boycotted, Tommy realizes he’s acting like an outlaw instead of a cowboy, and he tries to find the real communist in the neighborhood, leading to surprising discoveries and the help his family desperately needs. Speaking in the first person, Tommy reveals himself as a good-hearted, responsible kid who’s temporarily lost his moral compass. Effective use of cowboy imagery allows Tommy to step up like his hero, Gary Cooper in High Noon, and do the right thing. Period detail and historical references effectively capture the anti-communist paranoia of the McCarthy era.
A winningly authentic, realistic and heartwarming family drama. (author’s note, photos) (Historical fiction. 10-13)Pub Date: Sept. 4, 2014
ISBN: 978-0-399-16328-9
Page Count: 352
Publisher: Putnam
Review Posted Online: July 28, 2014
Kirkus Reviews Issue: Aug. 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This middle-grade read is heartfelt, but nostalgia that’s a bit too on the nose makes it hard to follow
Twelve-year-old aspiring astronaut Ebony-Grace Norfleet Freeman is lonely and homesick in New York.
When trouble hits her family like an asteroid, Ebony-Grace, aka Cadet E-Grace Starfleet, is forced to leave her beloved grandfather and her hometown of Huntsville, Alabama, to spend a week with her father in Harlem, New York—or as she calls it, “No Joke City.” Determined to ignore what she calls the “Sonic Boom,” New York’s hip-hop revolution in the early 1980s, Ebony-Grace rejects the people, music, and movements of Harlem, instead blasting off in her mind aboard the Mothership Uhura to save her grandfather, Capt. Fleet. Stuck, Ebony-Grace works to navigate a new frontier where she is teased and called “crazy” because of her imaginative intergalactic adventures. Ostracized as a flava-less, “plain ol’ ice cream sandwich! Chocolate on the outside, vanilla on the inside,” Ebony-Grace tries her best to be “regular and normal,” but her outer-space imaginings are the only things that keep her grounded. The design includes images that sho nuff bring the ’80s alive: comic-strip panels, inverted Star Wars scripting, and onomatopoeic graffiti-esque words. Unfortunately, these serve to interrupt an already-crowded narrative as readers hyperjump between Ebony-Grace’s imagination and the movement of life in the real world, transmitted via news reports and subway memorials.
This middle-grade read is heartfelt, but nostalgia that’s a bit too on the nose makes it hard to follow . (Historical fiction. 10-12)Pub Date: Aug. 27, 2019
ISBN: 978-0-399-18735-3
Page Count: 256
Publisher: Dutton
Review Posted Online: May 7, 2019
Kirkus Reviews Issue: June 1, 2019
This weave of perceptive, well-told tales wears its agenda with unusual grace.
Two young people of different generations get profound lessons in the tragic, enduring legacy of war.
Raised on the thrilling yarns of his great-grandpa Jacob and obsessed with both World War II and first-person–shooter video games, Trevor is eager to join the 93-year-old vet when he is invited to revisit the French town his unit had helped to liberate. In alternating chapters, the overseas trip retraces the parallel journeys of two young people—Trevor, 12, and Jacob, in 1944, just five years older—with similarly idealized visions of what war is like as they travel both then and now from Fort Benning to Omaha Beach and then through Normandy. Jacob’s wartime experiences are an absorbing whirl of hard fighting, sudden death, and courageous acts spurred by necessity…but the modern trip turns suspenseful too, as mysterious stalkers leave unsettling tokens and a series of hostile online posts that hint that Jacob doesn’t have just German blood on his hands. Korman acknowledges the widely held view of World War II as a just war but makes his own sympathies plain by repeatedly pointing to the unavoidable price of conflict: “Wars may have winning sides, but everybody loses.” Readers anticipating a heavy-handed moral will appreciate that Trevor arrives at a refreshingly realistic appreciation of video games’ pleasures and limitations. As his dad puts it: “War makes a better video game….But if you’re looking for a way to live, I’ll take peace every time.”
This weave of perceptive, well-told tales wears its agenda with unusual grace. (Fiction/historical fiction. 11-13)Pub Date: July 21, 2020
ISBN: 978-1-338-29020-2
Page Count: 240
Publisher: Scholastic
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
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