A deliberately paced but gripping tale that boosts a remarkable SF series.
This YA novel centers on a teenager who struggles with his new life—carrying the world’s evil inside his body.
Paul Salvage’s victory at a government-sanctioned competition means he’s now “the Vessel.” Scientists implant him with “devil particles” extracted from the three billion people on dystopian Earth. These particles are what lead humans to commit evil acts but, scientists theorize, someone “perfectly good” can safely hold them. Yet Paul fears he’s the wrong person for this gig, as he’s done something dreadful that a conk on the head had, for a time, made him forget. Now, he lives in a bedroom inside a lab while his body undergoes tortuous emotional and physical changes. When things start improving, including his newly heightened senses, Paul feels his distrust start to surge. Gaige Devlin, his dead brother’s best friend, may be getting cozy with Paul’s beloved, Jaelyn Bellamy (“What a creep. Honing in on my girlfriend while I’m risking my life to save the world”). In addition, President Stark Cicero, who somehow knows of Paul’s nefarious past deed, is spearheading the formation of a world government, surely with herself at the head. Although Earth has found peace, the evil inside Paul seems to be fighting for control. Oakley’s SF sequel takes a noticeable turn from its predecessor—a suspenseful competition makes way for inner turmoil. It’s a slow burn this time, as much of the action unfolds at a lab, and narrator Paul spends a lot of time in his ever-conflicted head. Still, this absorbing tale follows a protagonist who gets increasingly paranoid while any sympathy readers have for him (especially from the initial agony the devil particles cause) may gradually wane. The story is furthermore a subtle exploration of toxic masculinity, as Paul, who feels like a “caged animal” at the lab, seems intent on dominating others, be it the scientists or Jaelyn. The final act churns out several impressive shocks and ends on a cliffhanger that will leave readers yearning for the series’ third installment.
A deliberately paced but gripping tale that boosts a remarkable SF series.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Sept. 28, 2023
Review Program: Kirkus Indie
BOOK REVIEW
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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