Readers will find inspiration in a young woman claiming her identity.
The final volume of a trilogy transforms a tragic legend into a feminist triumph.
Branwen’s deal with Dhusnos, the god of death, may have saved King Marc’s castle but at the cost of the peace for which she sacrificed everything. Tristan and Eseult stand accused of treason, and Branwen still owes Dhusnos a murder. In the conclusion to this sprawling retelling, Branwen and the rest of the huge, intertwined, ethnically and sexually diverse cast race from combat to trials to duels to sea battles, from lies to trysts to betrayals to marriages to funerals, only pausing to wallow in guilt and spectacular self-loathing. Pérez’s alternative medieval world is immersive and detailed, her prose lush with mystical symbolism. Despite their worldly power, men function mostly either to admire or obstruct Branwen (sometimes both) while all the women are complicated and authentic, with independent (if not always admirable) agendas and rich narrative arcs. Within this oppressively patriarchal society, it is the bonds of mentorship, respect, trust, and love among women that make a difference. Although the messy, overwrought love triangle (heptagon, really) is eventually more-or-less resolved, the real climax occurs when Branwen learns to accept her own intrinsic worth and destiny. By the bittersweet ending, she has earned her choices.
Readers will find inspiration in a young woman claiming her identity. (dramatis personae, glossary) (Fantasy. 12-18)Pub Date: Aug. 25, 2020
ISBN: 978-1-250-13287-1
Page Count: 464
Publisher: Imprint
Review Posted Online: May 16, 2020
Kirkus Reviews Issue: June 15, 2020
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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