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BAD THINGS

A dramatic but somewhat disjointed crime story.

Old secrets and obsessions plague three former friends in this debut thriller.

Ten years ago, in 2009, on the eve of their high school graduation, Delphine Quin, her friend Ariana Callum, and Delphine’s boyfriend, Ryan Martinez, witnessed a terrible crime. All three had arrived at Miami Prep from other places: Delphine from London, Ryan from New York, and Ariana from a trailer park in Florida before her mother married a wealthy man, who abused Ariana. The others’ back stories are also revealed: Ryan’s father is a powerful businessman with ties to unsavory characters, and Delphine’s mother committed suicide on her 18th birthday. They haven’t spoken to one another since the night of the mysterious crime, until Delphine runs into Ariana, whom she thought was dead, in a grocery store. Ariana takes Delphine to lunch and reveals that she has a photograph from that night that shows Ryan wearing a blood-spattered shirt at the scene of the incident—a photo she uses to extract money from Delphine. After the meeting, Delphine calls Ryan to her home in Miami to figure out what to do; they agree that Ariana is dangerous, but rather than address her clear and present danger, they instead begin an affair. Subsequently, Ryan tries to secretly sabotage Delphine’s husband’s career. Ariana loves Ryan, but he loves Delphine, and this love triangle provides the linchpin of the plot. Overall, this is a disturbing and theatrical tale. The nonlinear narrative bounces between the past and present and the three main characters’ first-person perspectives as the facts slowly come out. However, this same nonlinear structure has the effect of diffusing some of the suspense, because just as readers are learning a new detail about the incident in 2009, they’re yanked into an unrelated scene in 2019. The alternating points of view also reveal each character as an unreliable narrator, which means the truth is constantly elusive. Everything does finally come to a head in a violent manner in a climactic confrontation, though, where the truth is revealed.

A dramatic but somewhat disjointed crime story.

Pub Date: N/A

ISBN: 978-1-5289-3115-1

Page Count: 315

Publisher: Austin Macauley Publishers Ltd

Review Posted Online: Jan. 29, 2023

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GONE BEFORE GOODBYE

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

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A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.

Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

Pub Date: Oct. 14, 2025

ISBN: 9781538774700

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: Oct. 15, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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