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OUR NARROW HIDING PLACES

An oblique take on a dark episode of wartime endurance.

The physical suffering and psychological trauma inflicted on the Dutch people during the Nazi occupation influences the survivors and subsequent generations.

Drawing on his own family history, Jansma’s new novel spans multiple generations of a New Jersey clan with Dutch origins. At its center is matriarch Mieke Geborn, a baker’s daughter who endured World War II in the Hague and offers a child’s-eye view of the German occupation, as well as the massively destructive V2 bombs fired at Britain from the town’s seashore. Her family takes in Professor Willem Naaktgeboren, an old friend of her father’s, along with his wife and children, who were bombed out of their Rotterdam home. Naaktgeboren’s son, Rob, becomes Mieke’s constant companion and, much later, her husband. A none-too-surprising cast of characters shares their apartment building, including Jewish and gay neighbors and a keen Nazi sympathizer. This historic narrative alternates with a more contemporary account of Mieke (now 80) in America, which has been her home for 50 years. Her grandson, Will, comes to visit, and there are reminiscences about Will’s father’s mental health issues, as well as considerations of some recent stresses on Will himself. A third element, a series of whimsical/philosophical/mythical chapters voiced by eels, recounts fairy stories and historical aspects of Dutch life. The eels may have the best lines. Other than the grimly vivid description of near-starvation during the Hunger Winter of 1944-45, there’s a lack of intensity to both the wartime and contemporary storylines, connected though they are by themes of lost fathers, heritage, and mental burdens.

An oblique take on a dark episode of wartime endurance.

Pub Date: Aug. 13, 2024

ISBN: 9780063352896

Page Count: 272

Publisher: Ecco/HarperCollins

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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