Promising start; disappointing finish.
Glimpses of a hidden world from the award-winning author of Drifting House (2012).
Lee’s debut novel begins at a party in Pyongyang. Government officials and celebrities show off Rolex watches and fur coats. They eat fish imported from Tokyo, they toast their Dear Leader with Chivas Regal, and they watch girls in hot pants dance to forbidden American pop. It’s a surreal display of wealth and privilege overshadowed by terror. These elites are protected from the famine and despair that plague their country, but they're still subject to the whims of a mercurial, all-powerful dictator. This scene is narrated by a young man, Yongju, and it culminates in the assassination of his father. This fall from grace leads to an escape into China, and that’s where he meets the novel’s other narrators. Danny is Korean by heritage, Chinese by birth, and a permanent resident of the United States. While visiting his Christian missionary mother back in China, he runs away, is robbed of his passport, and joins a group of other young outcasts in order to survive. Jangmi is a young North Korean woman who smuggles herself across the border to marry a Chinese man; she’s forced to flee her new home when this man realizes she’s pregnant with someone else's child. The best parts of this book are in its beginning. The banquet where Yongju’s father is assassinated, for instance, is quite particular in its weirdness and horror. Jangmi’s reaction to the bounty she finds in China is both an appreciation and a critique of consumerism. And the ways in which all these characters must confront prejudice are interesting. All too soon, though, their stories converge into a tale of survival that is both familiar and flat. Lee barely explores the contrast between Yongju’s sheltered upbringing and the depredations he endures in China. Hunger and homelessness are also surprisingly easy for Danny, a kid from the suburbs of southern California. Only Jangmi’s travails are believable and compelling.
Promising start; disappointing finish.Pub Date: Aug. 2, 2016
ISBN: 978-0-670-02568-8
Page Count: 256
Publisher: Viking
Review Posted Online: May 16, 2016
Kirkus Reviews Issue: June 1, 2016
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
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