Promising start; disappointing finish.
Glimpses of a hidden world from the award-winning author of Drifting House (2012).
Lee’s debut novel begins at a party in Pyongyang. Government officials and celebrities show off Rolex watches and fur coats. They eat fish imported from Tokyo, they toast their Dear Leader with Chivas Regal, and they watch girls in hot pants dance to forbidden American pop. It’s a surreal display of wealth and privilege overshadowed by terror. These elites are protected from the famine and despair that plague their country, but they're still subject to the whims of a mercurial, all-powerful dictator. This scene is narrated by a young man, Yongju, and it culminates in the assassination of his father. This fall from grace leads to an escape into China, and that’s where he meets the novel’s other narrators. Danny is Korean by heritage, Chinese by birth, and a permanent resident of the United States. While visiting his Christian missionary mother back in China, he runs away, is robbed of his passport, and joins a group of other young outcasts in order to survive. Jangmi is a young North Korean woman who smuggles herself across the border to marry a Chinese man; she’s forced to flee her new home when this man realizes she’s pregnant with someone else's child. The best parts of this book are in its beginning. The banquet where Yongju’s father is assassinated, for instance, is quite particular in its weirdness and horror. Jangmi’s reaction to the bounty she finds in China is both an appreciation and a critique of consumerism. And the ways in which all these characters must confront prejudice are interesting. All too soon, though, their stories converge into a tale of survival that is both familiar and flat. Lee barely explores the contrast between Yongju’s sheltered upbringing and the depredations he endures in China. Hunger and homelessness are also surprisingly easy for Danny, a kid from the suburbs of southern California. Only Jangmi’s travails are believable and compelling.
Promising start; disappointing finish.Pub Date: Aug. 2, 2016
ISBN: 978-0-670-02568-8
Page Count: 256
Publisher: Viking
Review Posted Online: May 16, 2016
Kirkus Reviews Issue: June 1, 2016
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and...
An amazingly intricate and ambitious first novel - ten years in the making - that puts an engrossing new spin on the traditional haunted-house tale.
Texts within texts, preceded by intriguing introductory material and followed by 150 pages of appendices and related "documents" and photographs, tell the story of a mysterious old house in a Virginia suburb inhabited by esteemed photographer-filmmaker Will Navidson, his companion Karen Green (an ex-fashion model), and their young children Daisy and Chad. The record of their experiences therein is preserved in Will's film The Davidson Record - which is the subject of an unpublished manuscript left behind by a (possibly insane) old man, Frank Zampano - which falls into the possession of Johnny Truant, a drifter who has survived an abusive childhood and the perverse possessiveness of his mad mother (who is institutionalized). As Johnny reads Zampano's manuscript, he adds his own (autobiographical) annotations to the scholarly ones that already adorn and clutter the text (a trick perhaps influenced by David Foster Wallace's Infinite Jest) - and begins experiencing panic attacks and episodes of disorientation that echo with ominous precision the content of Davidson's film (their house's interior proves, "impossibly," to be larger than its exterior; previously unnoticed doors and corridors extend inward inexplicably, and swallow up or traumatize all who dare to "explore" their recesses). Danielewski skillfully manipulates the reader's expectations and fears, employing ingeniously skewed typography, and throwing out hints that the house's apparent malevolence may be related to the history of the Jamestown colony, or to Davidson's Pulitzer Prize-winning photograph of a dying Vietnamese child stalked by a waiting vulture. Or, as "some critics [have suggested,] the house's mutations reflect the psychology of anyone who enters it."
The story's very ambiguity steadily feeds its mysteriousness and power, and Danielewski's mastery of postmodernist and cinema-derived rhetoric up the ante continuously, and stunningly. One of the most impressive excursions into the supernatural in many a year.Pub Date: March 6, 2000
ISBN: 0-375-70376-4
Page Count: 704
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2000
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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