A warm, engaging tale of the bond between a resourceful man and his service animal.
Johnston’s debut recounts the partnership of English-born railway signalman Jim Wide and his service baboon, Jack, in 1880s South Africa.
After an accident necessitates the amputation of his legs, Jim can no longer inspect the trains at Uitenhage Station. Fortunately, his request for a new task is granted, and he becomes a signalman, switching trains onto different tracks by pulling levers. But getting around is difficult, even after Jim carves himself prostheses and builds a handcart. Jim finds a helping hand in Jack, a chacma baboon, training the animal to push the cart, operate switches, and more. Soon, the hardworking primate becomes not only Jim’s assistant, but his “best friend.” But when railway authorities discover a monkey at the switch, Jack must prove his reliability in order for Jim to keep his job. Jack’s antics are sometimes charmingly (and somewhat disorientingly) humanlike; affection radiates throughout the straightforward text and Samaniego’s close, expressive illustrations as the pair share an exuberant cart ride or Jack chatters at a smiling Jim, a hand on Jim’s shoulder. Against the eloquent illustrations, the occasional speech-balloon dialogue feels redundant. Most humans, including Jim, present white; South Africa’s troubled racial history goes unmentioned. An author’s note provides an epilogue, and thought-provoking discussion questions touch on animal rights. Backmatter includes archival photos, a glossary, internet resources, related reading, a brief history of service animals, and a bibliography.
A warm, engaging tale of the bond between a resourceful man and his service animal. (Informational picture book. 8-12)Pub Date: Feb. 1, 2020
ISBN: 978-1-68446-088-5
Page Count: 40
Publisher: Capstone Editions
Review Posted Online: Nov. 9, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Pretty but insubstantial.
Zommer surveys various bird species from around the world in this oversized (almost 14 inches tall tall) volume.
While exuberantly presented, the information is not uniformly expressed from bird to bird, which in the best cases will lead readers to seek out additional information and in the worst cases will lead to frustration. For example, on spreads that feature multiple species, the birds are not labeled. This happens again later when the author presents facts about eggs: Readers learn about camouflaged eggs, but the specific eggs are not identified, making further study extremely difficult. Other facts are misleading: A spread on “city birds” informs readers that “peregrine falcons nest on skyscrapers in New York City”—but they also nest in other large cities. In a sexist note, a peahen is identified as “unlucky” because she “has drab brown feathers” instead of flashy ones like the peacock’s. Illustrations are colorful and mostly identifiable but stylized; Zommer depicts his birds with both eyes visible at all times, even when the bird is in profile. The primary audience for the book appears to be British, as some spreads focus on European birds over their North American counterparts, such as the mute swan versus the trumpeter swan and the European robin versus the American robin. The backmatter, a seven-word glossary and an index, doesn’t provide readers with much support.
Pretty but insubstantial. (Nonfiction. 8-12)Pub Date: June 4, 2019
ISBN: 978-0-500-65151-3
Page Count: 64
Publisher: Thames & Hudson
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A painful and painfully recognizable tale of one girl’s struggle to make and keep “one good friend.” (author’s note)...
A truth-telling graphic memoir whose theme song could be Johnny Lee’s old country song “Lookin’ for Love in all the Wrong Places.”
Shannon, depicted in Pham’s clear, appealing panels as a redheaded white girl, starts kindergarten in Salt Lake City, Utah, in 1979, and her story ends just before sixth grade. Desperately longing to be in “the group” at school, Shannon suffers persistent bullying, particularly from a mean girl, Jenny, which leads to chronic stomachaches, missing school, and doctor visits. Contemporary readers will recognize behaviors indicative of obsessive-compulsive disorder, but the doctor calls it anxiety and tells Shannon to stop worrying. Instead of being a place of solace, home adds to Shannon’s stress. The middle child of five, she suffers abuse from her oldest sibling, Wendy, whom Pham often portrays as a fierce, gigantic bear and whom readers see their mother worrying about from the beginning. The protagonist’s faith (presented as generically Christian) surfaces overtly a few times but mostly seems to provide a moral compass for Shannon as she negotiates these complicated relationships. This episodic story sometimes sticks too close to the truth for comfort, but readers will appreciate Shannon’s fantastic imagination that lightens her tough journey toward courage and self-acceptance.
A painful and painfully recognizable tale of one girl’s struggle to make and keep “one good friend.” (author’s note) (Graphic memoir. 8-12)Pub Date: May 2, 2017
ISBN: 978-1-62672-416-7
Page Count: 224
Publisher: First Second
Review Posted Online: Feb. 13, 2017
Kirkus Reviews Issue: March 1, 2017
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