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THE ABSENCE OF SPARROWS

An interesting but ultimately unsatisfying experiment from a writer worth watching.

When a bizarre plague strikes the world, the stakes for one boy could not be more personal in this debut coming-of-age novel from a Canadian author.

It starts the summer Ben is 11; sudden dark clouds appear, and millions of random adults turn to obsidian glass. As panic and chaos spread, passionate birder Ben worries mostly for his own family, about the town bullies, and over the inexplicably missing local sparrows. But after a compelling, mysterious Voice on the radio enlists the world into a radical response, Ben must decide where his loyalties belong. His first-person narration authentically conveys the painful confusion of a sensitive child coping with adult tragedies. Removing access to computers and cellphones turns his small rural home into an oddly old-fashioned Everytown, albeit one with little scope for women—Ben’s mentally fragile mother is the only notable female character. A Stranger Things–like tone effectively conveys the creeping dread of a hapless microcosm trapped within a supernatural end of days. Unfortunately, despite the intimate family drama and devastating losses, there is a frustrating lack of resolution: What really caused the “glassification”? Who was the Voice? What did the birds have to do with it? Along with the more compassionate but much less innocent Ben, readers learn only that “life simply went on.” Characters are default white.

An interesting but ultimately unsatisfying experiment from a writer worth watching. (Horror. 8-12)

Pub Date: May 7, 2019

ISBN: 978-0-316-45092-8

Page Count: 384

Publisher: Little, Brown

Review Posted Online: Feb. 12, 2019

Kirkus Reviews Issue: March 1, 2019

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THE VERY, VERY FAR NORTH

Quirky and imaginative—postmodern storytelling at its best.

Friendly curiosity and a gift for naming earn a polar bear an assortment of (mostly animal) friends, adventures, mishaps, and discoveries.

Arriving at a northern ocean, Duane spies a shipwreck. Swimming out to investigate, he meets its lone occupant, C.C., a learned snowy owl whose noble goal is acquiring knowledge to apply “toward the benefit of all.” Informing Duane that he’s a polar bear, she points out a nearby cave that might suit him—it even has a mattress. Adding furnishings from the wreck—the grandfather clock’s handless, but who needs to tell time when it’s always now?—he meets a self-involved musk ox, entranced by his own reflection, who’s delighted when Duane names him “Handsome.” As he comes to understand, then appreciate their considerable diversity, Duane brings out the best in his new friends. C.C., who has difficulty reading emotions and dislikes being touched, evokes the autism spectrum. Magic, a bouncy, impulsive arctic fox, manifests ADHD. Major Puff, whose proud puffin ancestry involves courageous retreats from danger, finds a perfect companion in Twitch, a risk-aware, common-sensical hare. As illustrated, Sun Girl, a human child, appears vaguely Native, and Squint, a painter, white, but they’re sui generis: The Canadian author avoids referencing human culture. The art conveys warmth in an icy setting; animal characters suggest beloved stuffed toys, gently reinforcing the message that friendship founded on tolerance breeds comfort and safety.

Quirky and imaginative—postmodern storytelling at its best. (Animal fantasy. 8-12)

Pub Date: Sept. 10, 2019

ISBN: 978-1-5344-3341-0

Page Count: 272

Publisher: Atheneum

Review Posted Online: May 7, 2019

Kirkus Reviews Issue: June 1, 2019

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GHOSTS

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...

Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.

Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.

Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)

Pub Date: Sept. 13, 2016

ISBN: 978-0-545-54061-2

Page Count: 256

Publisher: Scholastic

Review Posted Online: July 1, 2016

Kirkus Reviews Issue: July 15, 2016

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