An interesting but ultimately unsatisfying experiment from a writer worth watching.
When a bizarre plague strikes the world, the stakes for one boy could not be more personal in this debut coming-of-age novel from a Canadian author.
It starts the summer Ben is 11; sudden dark clouds appear, and millions of random adults turn to obsidian glass. As panic and chaos spread, passionate birder Ben worries mostly for his own family, about the town bullies, and over the inexplicably missing local sparrows. But after a compelling, mysterious Voice on the radio enlists the world into a radical response, Ben must decide where his loyalties belong. His first-person narration authentically conveys the painful confusion of a sensitive child coping with adult tragedies. Removing access to computers and cellphones turns his small rural home into an oddly old-fashioned Everytown, albeit one with little scope for women—Ben’s mentally fragile mother is the only notable female character. A Stranger Things–like tone effectively conveys the creeping dread of a hapless microcosm trapped within a supernatural end of days. Unfortunately, despite the intimate family drama and devastating losses, there is a frustrating lack of resolution: What really caused the “glassification”? Who was the Voice? What did the birds have to do with it? Along with the more compassionate but much less innocent Ben, readers learn only that “life simply went on.” Characters are default white.
An interesting but ultimately unsatisfying experiment from a writer worth watching. (Horror. 8-12)Pub Date: May 7, 2019
ISBN: 978-0-316-45092-8
Page Count: 384
Publisher: Little, Brown
Review Posted Online: Feb. 12, 2019
Kirkus Reviews Issue: March 1, 2019
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often...
A successful juvenile by the beloved New Yorker writer portrays a farm episode with an imaginative twist that makes a poignant, humorous story of a pig, a spider and a little girl.
Young Fern Arable pleads for the life of runt piglet Wilbur and gets her father to sell him to a neighbor, Mr. Zuckerman. Daily, Fern visits the Zuckermans to sit and muse with Wilbur and with the clever pen spider Charlotte, who befriends him when he is lonely and downcast. At the news of Wilbur's forthcoming slaughter, campaigning Charlotte, to the astonishment of people for miles around, spins words in her web. "Some Pig" comes first. Then "Terrific"—then "Radiant". The last word, when Wilbur is about to win a show prize and Charlotte is about to die from building her egg sac, is "Humble". And as the wonderful Charlotte does die, the sadness is tempered by the promise of more spiders next spring.
The three way chats, in which they are joined by other animals, about web spinning, themselves, other humans—are as often informative as amusing, and the whole tenor of appealing wit and pathos will make fine entertainment for reading aloud, too.Pub Date: Oct. 15, 1952
ISBN: 978-0-06-026385-0
Page Count: 192
Publisher: Harper/HarperCollins
Review Posted Online: Sept. 14, 2011
Kirkus Reviews Issue: Oct. 1, 1952
PERSPECTIVES
SEEN & HEARD
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and...
Catrina narrates the story of her mixed-race (Latino/white) family’s move from Southern California to Bahía de la Luna on the Northern California coast.
Dad has a new job, but it’s little sister Maya’s lungs that motivate the move: she has had cystic fibrosis since birth—a degenerative breathing condition. Despite her health, Maya loves adventure, even if her lungs suffer for it and even when Cat must follow to keep her safe. When Carlos, a tall, brown, and handsome teen Ghost Tour guide introduces the sisters to the Bahía ghosts—most of whom were Spanish-speaking Mexicans when alive—they fascinate Maya and she them, but the terrified Cat wants only to get herself and Maya back to safety. When the ghost adventure leads to Maya’s hospitalization, Cat blames both herself and Carlos, which makes seeing him at school difficult. As Cat awakens to the meaning of Halloween and Day of the Dead in this strange new home, she comes to understand the importance of the ghosts both to herself and to Maya. Telgemeier neatly balances enough issues that a lesser artist would split them into separate stories and delivers as much delight textually as visually. The backmatter includes snippets from Telgemeier’s sketchbook and a photo of her in Día makeup.
Telgemeier’s bold colors, superior visual storytelling, and unusual subject matter will keep readers emotionally engaged and unable to put down this compelling tale. (Graphic fiction. 8-12)Pub Date: Sept. 13, 2016
ISBN: 978-0-545-54061-2
Page Count: 256
Publisher: Scholastic
Review Posted Online: July 1, 2016
Kirkus Reviews Issue: July 15, 2016
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