Next book

LAST SEEN IN LAPAZ

Quartey once again finds piercing social pain beneath what looks like a routine case.

Emma Djan, of the Sowah Private Investigators Agency in the Ghanaian capital of Accra, goes looking for a missing girl and finds a whole lot more.

Retired Nigerian ambassador Nnamdi Ojukwu comes to see his old friend Yemo Sowah because his 18-year-old daughter has disappeared from his house. The former diplomat isn’t sure whether he’s more scared that Ngozi has been kidnapped or that she’s run off with her boyfriend, unsuitable hotel manager Femi Adebanjo, who’s 10 years older. As it happens, both theories hit on part of the truth. Soon after Femi is discovered shot in the head, Quartey launches an extended series of flashbacks that show Femi forming a partnership with his old school friend Cliffy as “travel agents” who talk people into emigrating from Ghana to countries that promise greater opportunities, lying to them about their travel arrangements and the accommodations they can expect at their destinations, and charging them top dollar. Things get worse when Femi breaks things off with Cliffy and throws in his lot with hotelier Awuni Prince Awuni and his partner Janet Glover, who runs the Alligator, the headquarters for a number of sex workers who haven’t chosen this line of work of their own free will. More deaths will follow, and it seems less and less likely that Emma and DI Boateng, of the Ghana Police Service, will find Ngozi alive. As Emma herself eventually acknowledges, she doesn’t distinguish herself as a detective this time around; the tale’s intricately layered structure both generates its mystery and provokes its solution.

Quartey once again finds piercing social pain beneath what looks like a routine case.

Pub Date: Feb. 7, 2023

ISBN: 9781641293396

Page Count: 360

Publisher: Soho Crime

Review Posted Online: Nov. 28, 2022

Kirkus Reviews Issue: Dec. 15, 2022

Next book

HIS & HERS

Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.

A news presenter and a police detective are brought together by murders in the British village where they both grew up.

There is precious little that can be revealed about the plot of Feeney’s third novel without spoilers, as the author has woven surprises and plot twists and suspicious linkages into nearly every one of her brief, first-person chapters, written in three alternating narrative voices. “Hers” is Anna Andrews, a wannabe anchor on a BBC news program whose lucky break comes when the body of one of her school friends is found brutally murdered in their hometown, a woodsy little spot called Blackdown. “His” is DCI Jack Harper, head of the Major Crime Team in Blackdown, where major crimes were rather few until now. The third is unnamed but clearly the killer’s. Happily, none of the three is an unreliable narrator—good thing because plenty of people are sick of that—but none is exactly 100% forthcoming either. Which only makes sense, because you can't have reveals without secrets. In a small town like Blackdown, everybody knows everybody, so it’s not too surprising that Anna and Jack have a tragic past or that each has connections to all the victims and suspects while not being totally free from suspicion themselves. Who is that sneaky third narrator? On the way to figuring that out, expect high school mean girls, teen lesbian action, mutilated corpses, nasty things happening to kittens, and—as seems de rigueur in British thrillers—plenty of drinking and wisecracks, sometimes in tandem. “Sadly, my sister has the same taste in wine as she does in men; too cheap, too young, and headache-inducing.”

Feeney improves on her debut with a taut suspense plot, many gleeful twists and turns, and suspects galore.

Pub Date: July 28, 2020

ISBN: 978-1-250-26608-8

Page Count: 320

Publisher: Flatiron Books

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

Next book

A CONSPIRACY OF BONES

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020

Close Quickview