McCarthy’s debut, with the acumen of the best literary fiction and the suspense of a psychological thriller, is a marvel.
Exploring a troubled, obsessive friendship between two young women in New York.
Whatever happened between Lacie and Rose in high school, they’re not saying—not to each other or to anyone else. They haven’t seen each other in more than a decade. Now Rose, a writer years deep into working on a novel based on their shared experience, has moved to New York and then, before either of them can catch their breath, into Lacie’s apartment. McCarthy’s debut is an utterly taut construction, as unsettling as it is propulsive. Rose narrates the novel—both in present-day scenes and in high school flashbacks—but it quickly becomes clear that she may not always make the most reliable source. Throughout, McCarthy toys with the idea of double consciousness: Rose, who scrapes together an income tutoring privileged teenagers, listens to one of her clients explain the notion this way: “It’s when you see yourself from the inside, like a normal person, but also from the outside.” As Rose digs deeper into her novel—sneaking into Lacie’s room, trying on Lacie’s clothes, hoping to gain insight for the character she’s based on Lacie—the limits of her own self-awareness become more and more clear. Meanwhile, the obsessive cast to her friendship with Lacie continues to heighten. Ironically, though, as Rose’s agent compliments her on her portrayal of the fictional Lacie, the other Lacie—the one we’re reading about—remains something of a cipher. Rose grows into one of the more complex—and, sometimes, plainly repugnant—characters of recent fiction, but Lacie, the object of her fascination, remains, for most of the novel, just that: a blank object.
McCarthy’s debut, with the acumen of the best literary fiction and the suspense of a psychological thriller, is a marvel.Pub Date: June 23, 2020
ISBN: 978-1-984819-75-8
Page Count: 288
Publisher: Ballantine
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.
When tragedy strikes, a mother and daughter forge a new life.
Morgan felt obligated to marry her high school sweetheart, Chris, when she got pregnant with their daughter, Clara. But she secretly got along much better with Chris’ thoughtful best friend, Jonah, who was dating her sister, Jenny. Now her life as a stay-at-home parent has left her feeling empty but not ungrateful for what she has. Jonah and Jenny eventually broke up, but years later they had a one-night stand and Jenny got pregnant with their son, Elijah. Now Jonah is back in town, engaged to Jenny, and working at the local high school as Clara’s teacher. Clara dreams of being an actress and has a crush on Miller, who plans to go to film school, but her father doesn't approve. It doesn’t help that Miller already has a jealous girlfriend who stalks him via text from college. But Clara and Morgan’s home life changes radically when Chris and Jenny are killed in an accident, revealing long-buried secrets and forcing Morgan to reevaluate the life she chose when early motherhood forced her hand. Feeling betrayed by the adults in her life, Clara marches forward, acting both responsible and rebellious as she navigates her teenage years without her father and her aunt, while Jonah and Morgan's relationship evolves in the wake of the accident. Front-loaded with drama, the story leaves plenty of room for the mother and daughter to unpack their feelings and decide what’s next.
The emotions run high, the conversations run deep, and the relationships ebb and flow with grace.Pub Date: Dec. 10, 2019
ISBN: 978-1-5420-1642-1
Page Count: 400
Publisher: Montlake Romance
Review Posted Online: Oct. 13, 2019
Kirkus Reviews Issue: Nov. 1, 2019
BOOK TO SCREEN
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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