Though clearly a message about the dangers of overscheduling children, the lesson goes down easily; caregivers may even take...
Flo is the smallest member of a large family of overprogrammed pandas.
She is intensely curious and easily distracted. She explores “the immense and mysterious sea” in her bathtub, eccentrically dressed in a woolen cap and snorkel. While getting ready for the day she dances to whale song. The other pandas have been waiting for her for a while. They are dressed in sporty garb and holding unicycles. They wait while Flo works her way through a large stack of pancakes and savors the last strawberry. When she finally joins the others, they show her their elaborate schedule for the week, with myriad activities listed. Flo’s personal activities consist of greeting birds, clouds, butterflies, and roses with exquisite good cheer: “Hello, Roses that I would like to stop and smell.” When the other pandas give up and abandon her for their next scheduled activity, which ends in mild calamity, readers won’t be surprised that it’s Flo who comes to the rescue. The deadpan text works beautifully with speech balloons that extend characterizations. Fleck’s whimsical, bold, bright, acrylic illustrations set the tone perfectly for this lighthearted tale, Flo and the other pandas standing out against muted pastels. Flo is distinguished from the other pandas by accessories, her size, and her smile.
Though clearly a message about the dangers of overscheduling children, the lesson goes down easily; caregivers may even take note. (Picture book. 3-6)Pub Date: Jan. 16, 2018
ISBN: 978-0-374-30526-0
Page Count: 40
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Safe to creep on by.
Carle’s famous caterpillar expresses its love.
In three sentences that stretch out over most of the book’s 32 pages, the (here, at least) not-so-ravenous larva first describes the object of its love, then describes how that loved one makes it feel before concluding, “That’s why… / I[heart]U.” There is little original in either visual or textual content, much of it mined from The Very Hungry Caterpillar. “You are… / …so sweet,” proclaims the caterpillar as it crawls through the hole it’s munched in a strawberry; “…the cherry on my cake,” it says as it perches on the familiar square of chocolate cake; “…the apple of my eye,” it announces as it emerges from an apple. Images familiar from other works join the smiling sun that shone down on the caterpillar as it delivers assurances that “you make… / …the sun shine brighter / …the stars sparkle,” and so on. The book is small, only 7 inches high and 5 ¾ inches across when closed—probably not coincidentally about the size of a greeting card. While generations of children have grown up with the ravenous caterpillar, this collection of Carle imagery and platitudinous sentiment has little of his classic’s charm. The melding of Carle’s caterpillar with Robert Indiana’s iconic LOVE on the book’s cover, alas, draws further attention to its derivative nature.
Safe to creep on by. (Picture book. 3-6)Pub Date: Dec. 15, 2015
ISBN: 978-0-448-48932-2
Page Count: 32
Publisher: Grosset & Dunlap
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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