A joyful and thoughtful exploration of the world and its communities, threaded with hope for the future.
Take a tour of the cities of the world without leaving your home.
Kyo, the author’s first name, means “capital city,” and she begins and ends this story with the question: “If you were a city, / how would you be?” Each spread contains a short rhyming verse and bold illustrations of cities and diverse people as readers are taken around the world to help answer that question. Perhaps the city would be “bookish, proud, / but slightly leaning” (paired with an image of a light-skinned person standing against the Leaning Tower of Pisa) or maybe it would be “shiny, glassy, / sleek, and tall.” It could even be a new city, “a dream city,” in the imagination of architects or one that leaves “room for nest / and lair” for animals. Both words and visuals work to create positive energy, the one exception being people leaving a “broken city.” The other characters look cheerful, shown in both quiet activities like stargazing as well as “biking, / scooting, / walking,” and enjoying a nighttime wheelchair basketball game. The detailed illustrations vary—some spreads contain multiple panels with bright white borders, while others feature a single scene that bleeds to the page’s edge. The image of a brown-skinned child creating a literal safe harbor with their arms is particularly effective. (This book was reviewed digitally.)
A joyful and thoughtful exploration of the world and its communities, threaded with hope for the future. (Picture book. 4-8)Pub Date: Oct. 18, 2022
ISBN: 978-1-4521-5519-7
Page Count: 40
Publisher: Chronicle Books
Review Posted Online: July 12, 2022
Kirkus Reviews Issue: Aug. 1, 2022
A flavorful call to action sure to spur young introverts.
In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.
Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.
A flavorful call to action sure to spur young introverts. (Picture book. 4-8)Pub Date: Nov. 4, 2025
ISBN: 9780063469730
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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