Zwerger (illustrator of Theodor Storm's Little Hobbin, 1995, etc.) creates characters who may, if not erase the MGM cast from the collective conscious of US readers, make them share some space therein. These tinkling, wafty creatures are very comfortable in Baumland—the creator did, after all, want this to be a fairy tale where ``the heart-aches and nightmares are left out''—particularly the Scarecrow, with his stuffed-pillow head, conical hat, and tremendous girth. Zwerger doesn't try to overwhelm the story, and many of the pieces are small expressive exercises of her vision. In an illustrator's note, she says, ``Baum's precise details—his vivid descriptions of the Munchkins, for example—make an illustrator almost superfluous.'' Actually, her paintings lead readers gracefully into the pages, to be surprised and entertained by the story they only think they know from the movie. (Fiction. 7-11)
Pub Date: Oct. 1, 1996
ISBN: 1-55858-638-5
Page Count: 103
Publisher: NorthSouth
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
Though the lessons weigh more heavily than in The One and Only Ivan, a potential disappointment to its fans, the story is...
Applegate tackles homelessness in her first novel since 2013 Newbery winner The One and Only Ivan.
Hunger is a constant for soon-to-be fifth-grader Jackson and his family, and the accompanying dizziness may be why his imaginary friend is back. A giant cat named Crenshaw first appeared after Jackson finished first grade, when his parents moved the family into their minivan for several months. Now they’re facing eviction again, and Jackson’s afraid that he won’t be going to school next year with his friend Marisol. When Crenshaw shows up on a surfboard, Jackson, an aspiring scientist who likes facts, wonders whether Crenshaw is real or a figment of his imagination. Jackson’s first-person narrative moves from the present day, when he wishes that his parents understood that he’s old enough to hear the truth about the family’s finances, to the first time they were homeless and back to the present. The structure allows readers access to the slow buildup of Jackson’s panic and his need for a friend and stability in his life. Crenshaw tells Jackson that “Imaginary friends don’t come of their own volition. We are invited. We stay as long as we’re needed.” The cat’s voice, with its adult tone, is the conduit for the novel’s lessons: “You need to tell the truth, my friend….To the person who matters most of all.”
Though the lessons weigh more heavily than in The One and Only Ivan, a potential disappointment to its fans, the story is nevertheless a somberly affecting one . (Fiction. 7-11)Pub Date: Sept. 22, 2015
ISBN: 978-1-250-04323-8
Page Count: 256
Publisher: Feiwel & Friends
Review Posted Online: June 28, 2015
Kirkus Reviews Issue: July 15, 2015
An effort as insubstantial as any spirit.
Eleven-year-old Maria Russo helps her charlatan mother hoodwink customers, but Maria has a spirited secret.
Maria’s mother, the psychic Madame Destine, cons widows out of their valuables with the assistance of their apartment building’s super, Mr. Fox. Madame Destine home-schools Maria, and because Destine is afraid of unwanted attention, she forbids Maria from talking to others. Maria is allowed to go to the library, where new librarian Ms. Madigan takes an interest in Maria that may cause her trouble. Meanwhile, Sebastian, Maria’s new upstairs neighbor, would like to be friends. All this interaction makes it hard for Maria to keep her secret: that she is visited by Edward, a spirit who tells her the actual secrets of Madame Destine’s clients via spirit writing. When Edward urges Maria to help Mrs. Fisher, Madame Destine’s most recent mark, Maria must overcome her shyness and her fear of her mother—helping Mrs. Fisher may be the key to the mysterious past Maria uncovers and a brighter future. Alas, picture-book–creator Ford’s middle-grade debut is a muddled, melodramatic mystery with something of an everything-but-the-kitchen-sink feel: In addition to the premise, there’s a tragically dead father, a mysterious family tree, and the Beat poets. Sluggish pacing; stilted, unrealistic dialogue; cartoonishly stock characters; and unattractive, flat illustrations make this one to miss. Maria and Sebastian are both depicted with brown skin, hers lighter than his; the other principals appear to be white.
An effort as insubstantial as any spirit. (author’s note) (Paranormal mystery. 7-10)Pub Date: July 21, 2020
ISBN: 978-1-250-20567-4
Page Count: 320
Publisher: Christy Ottaviano/Henry Holt
Review Posted Online: March 28, 2020
Kirkus Reviews Issue: April 15, 2020
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