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THE PIXILATED PEERESS

The de Camps' latest lightweight sword-and-sorcery adventure is set in the same world as their last (The Incorporated Knight, 1987—not reviewed), but this one focuses on entirely different characters. Thorolf, a well-meaning Rhaetian soldier, does his best to assist the beautiful, haughty countess Yvette, whose lands have been occupied by her would-be suitor, the Duke of Landai. Thorolf brings her to the wizard Bardi, who can temporarily disguise the lady's features, but Bardi's spell miscarries drastically: Yvette is turned into an octopus. Another wizard, the leader of a sinister sect, offers to change her back, but in the process he turns Yvette into one of his possessed minions. The persevering Thorolf, pursued by the Duke of Landai's henchmen and suspected of murder and treason in Rhaetia, flees to the company of the hill-dwelling trolls, keeping one eye always on rescuing Yvette while he battles dragons, sorcerers, and the fickle attentions of the trolls. There are no pretensions here: the de Camps deliver what they promise and no more—a lighthearted adventure laced with some outright comedy and a dash of bawdiness. Though the tale often follows the track of the clichÇ, the unassuming style and verve of the telling carry it through; and the authors veer from the expected course often enough to keep the pages turning. Pure prose junk-food, but a pleasant romp.

Pub Date: Aug. 1, 1991

ISBN: 0-345-36732-4

Page Count: 208

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1991

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THE SONG RISING

From the Bone Season series , Vol. 3

A tantalizing, otherworldy adventure with imagination that burns like fire.

The third installment of this fantasy series (The Bone Season, 2013; The Mime Order, 2015) expands the reaches of the fight against Scion far beyond London.

Paige Mahoney, though only 19, serves as the Underqueen of the Mime Order. She's the leader of the Unnatural community in London, a city serving under the ever more militaristic Scion, whose government is based on ridding the streets of "enemy" clairvoyants. But Paige knows the truth about Scion's roots—that an Unnatural and immortal race called the Rephaim, who come from the Netherworld, forced Scion into existence to gain control over the growing human clairvoyant community. Scion’s hatred of clairvoyants now runs so deep that Paige is forced to consider moving her entire syndicate into hiding while she aims to stop Scion's next attack: there are rumors that Senshield, a scanner able to detect certain levels of clairvoyance, is going portable. Which means no Unnatural citizen is safe—their safe houses, their back-alley routes, are all at risk of detection. Paige’s main enemy this time around is Hildred Vance, mastermind of Scion’s military branch, ScionIDE. Vance creates terror by anticipating her opponent’s next moves, so with each step that Paige and her team take to dismantle Senshield, Vance is hovering nearby to toy with Paige’s will. Luckily, Paige is never separated for long from her Rephaite ally, Warden, as his presence is grounding. But their growing relationship, strengthened by their connection to the spirit world, takes a back seat to the constant, fast-paced action. The mesmerizing qualities of this series—insight into the different orders of clairvoyance as well as the intricately imagined details of Paige’s “dreamwalking” gift, with which she is able to enter others’ minds—fade to the background as this seven-part series climbs to its highest point of tension. Shannon’s world begins to feel more generically dystopian, but as Paige fights to locate and understand the spiritual energy powering Senshield, it is never less than captivating.

A tantalizing, otherworldy adventure with imagination that burns like fire.

Pub Date: March 7, 2017

ISBN: 978-1-63286-624-0

Page Count: 384

Publisher: Bloomsbury

Review Posted Online: Dec. 14, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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IRON GOLD

For those who like their science fiction dense, monumental, and a bit overwrought.

Brown is back with Book 4 of his Red Rising series (Morning Star, 2016, etc.) and explores familiar themes of rebellion, revenge, and political instability.

This novel examines the ramifications and pitfalls of trying to build a new world out of the ashes of the old. The events here take place 10 years after the conclusion of Morning Star, which ended on a seemingly positive note. Darrow, aka Reaper, and his lover, Virginia au Augustus, aka Mustang, had vanquished the Golds, the elite ruling class, so hope was held out that a new order would arise. But in the new book it becomes clear that the concept of political order is tenuous at best, for Darrow’s first thoughts are on the forces of violence and chaos he has unleashed: “famines and genocide...piracy...terrorism, radiation sickness and disease...and the one hundred million lives lost in my [nuclear] war.” Readers familiar with the previous trilogy—and you'll have to be if you want to understand the current novel—will welcome a familiar cast of characters, including Mustang, Sevro (Darrow’s friend and fellow warrior), and Lysander (grandson of the Sovereign). Readers will also find familiarity in Brown’s idiosyncratic naming system (Cassius au Bellona, Octavia au Lune) and even in his vocabulary for cursing (“Goryhell,” “Bloodydamn,” “Slag that”). Brown introduces a number of new characters, including 18-year-old Lyria, a survivor of the initial Rising who gives a fresh perspective on the violence of the new war—and violence is indeed never far away from the world Brown creates. (He includes one particularly gruesome gladiatorial combat between Cassius and a host of enemies.) Brown imparts an epic quality to the events in part by his use of names. It’s impossible to ignore the weighty connotations of characters when they sport names like Bellerephon, Diomedes, Dido, and Apollonius.

For those who like their science fiction dense, monumental, and a bit overwrought.

Pub Date: Jan. 16, 2018

ISBN: 978-0-425-28591-6

Page Count: 624

Publisher: Random House

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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