Strong improvement for Banks, who found herself attacked by Internet fans of Laurel K. Hamilton, Anita Blake, and Buffy’s...
Second and shorter trade paperback entry in the Afro Vampire Huntress rock ’n’ roll trilogy rip-off of Blade, Buffy, and Lestat, following Minion (2003).
At 20, destiny-driven Damali Richards, a New Orleans orphan and now a Spoken Word artiste, nears full awakening of her superpowers as an adult vampire huntress as she runs about carrying rhino bullets fresh-packed with hallowed earth and holy water grenades that blast like C-4—which has got master vampire Fallon Nuit and the Vampire High Council in a major tizzy. Unhappily for Damali, her sometime lover Carlos Rivera got turned and is dead, man, or rather undead, and time’s gotta come when Damali or one of her devamper Warriors of Light stakes him out so that he gets real cool, real dead. It’s war, with Fallon Nuit’s demonic Minion of rogue hybrid-vampires against Damali, who’s protected by seven guardians, including band members who double on drums and crossbow, or computer-crossbow-wooden stake, or as Aikido instructor/choreographer/bassist. As Carlos is led through a many-layered hell of demons, each layer as richly defined as Dante’s Inferno, his bloodthirst rises, and, back on earth, he nearly attacks his mother, his grandmother, and their young helper Juanita before he’s interrupted. Meanwhile, the Council demands that Carlos bring in Damali in three days, when she ovulates, so their seed will ripen in her before her birthday. Technically, Carlos, who died in prayer, is not dead, only transformed, and thus untrustworthy for this job. Will he sign the eternal contract and deposit his soul with the Council? Will Nuit’s plan for armies of hybrid demons to turn hundreds of thousands of Damali’s concertgoers on five continents be successful? Will vamps get viral immunity to sunlight and become daywalkers?
Strong improvement for Banks, who found herself attacked by Internet fans of Laurel K. Hamilton, Anita Blake, and Buffy’s Joss Whedon, vampiricists who make no reflections in mirrors.Pub Date: Jan. 1, 2004
ISBN: 0-312-31683-6
Page Count: 272
Publisher: St. Martin's Griffin
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Nov. 1, 2003
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
Fans of smart horror will sink their teeth into this one.
Things are about to get bloody for a group of Charleston housewives.
In 1988, the scariest thing in former nurse Patricia Campbell’s life is showing up to book club, since she hasn’t read the book. It’s hard to get any reading done between raising two kids, Blue and Korey, picking up after her husband, Carter, a psychiatrist, and taking care of her live-in mother-in-law, Miss Mary, who seems to have dementia. It doesn’t help that the books chosen by the Literary Guild of Mt. Pleasant are just plain boring. But when fellow book-club member Kitty gives Patricia a gloriously trashy true-crime novel, Patricia is instantly hooked, and soon she’s attending a very different kind of book club with Kitty and her friends Grace, Slick, and Maryellen. She has a full plate at home, but Patricia values her new friendships and still longs for a bit of excitement. When James Harris moves in down the street, the women are intrigued. Who is this handsome night owl, and why does Miss Mary insist that she knows him? A series of horrific events stretches Patricia’s nerves and her Southern civility to the breaking point. (A skin-crawling scene involving a horde of rats is a standout.) She just knows James is up to no good, but getting anyone to believe her is a Sisyphean feat. After all, she’s just a housewife. Hendrix juxtaposes the hypnotic mundanity of suburbia (which has a few dark underpinnings of its own) against an insidious evil that has taken root in Patricia’s insular neighborhood. It’s gratifying to see her grow from someone who apologizes for apologizing to a fiercely brave woman determined to do the right thing—hopefully with the help of her friends. Hendrix (We Sold Our Souls, 2018, etc.) cleverly sprinkles in nods to well-established vampire lore, and the fact that he’s a master at conjuring heady 1990s nostalgia is just the icing on what is his best book yet.
Fans of smart horror will sink their teeth into this one.Pub Date: April 7, 2020
ISBN: 978-1-68369-143-3
Page Count: 400
Publisher: Quirk Books
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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