A marathon of fantasy gore and slow-building characterizations in a land confronting demons.
In this fantasy debut, four individuals visit a war-torn realm full of monsters and magic, seeking to fulfill an ancient prophecy.
One night, actor Adem Highlander suffers quite the nightmare. In it, he faces a tunnel of flames, and a raven-haired beauty tells him that he is a Son of Odin. Adem connects the experience with another he had years ago at a place called Bright, where he and his friends Carl Wilder and William “Wil” Martyr became Witnesses to the reality of ghosts (Adem learned that “ghosts were not imagined, not a mythology. Not some false religious fantasy cooked up to inspire hope or fear in the hearts of mankind”). Later, Adem and his agent, Anna, attend the symphony. There, he has a waking vision of a wizard who asks, “What will be the hour of your arrival, Son of Odin?” The next day, Adem, Carl, and Wil meet model Jean Fairsythe at a photo shoot. Then, the foursome is transported to Kismeria, a kingdom at war with the Dark One and his demonic hordes. Orion, King of the Torvellan, informs them that in 1,000 years they are destined to face the Dark One. Until then, they must train and work against the taint—instilled by the ghosts Witnessed at Bright—that threatens to interfere with their use of the Power. In the opening volume of a complex new fantasy series, Hammer offers readers lavish battles, dizzying amounts of gore, and a system of magical patrons called Battle Angels that fans of the Final Fantasy video games should enjoy. Hammer’s prose is often dense with imagery, as when “Anna, the crew,” and “the bushland were all swallowed by a vortex of light and shadows,” and “the light exploded into tiny filaments of burning gold and white energies.” The battles, during which the Sons of Odin—and Jean, the Daughter of Thor—summon superpowered guardians, are splatterfests (demons are blasted “into dust and smoke, torn flesh and large spurts of dark blood”). Quiet moments involve Adem’s courting of Jean, who believes that love “writes itself upon our every fibre.” Christianity also plays a role, as Carl attempts to convert Kismerian warriors and chides Adem against taking innocent lives. Overall, the action is busier than the plot is satisfying.
A marathon of fantasy gore and slow-building characterizations in a land confronting demons.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: Smashwords
Review Posted Online: Jan. 26, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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