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Heroes of Legend: The Dragon King and The Vampire Lord

BOOKS THREE TO FOUR

A colorful and hyperactive section of a larger multicultural fantasy epic.

In Hammer’s fantasy novel, a boy deals with great magical power and a princess meets a legendary hero.

A stern military commander named Rodin finds himself mystically transported to Stonehenge, where he encounters a supernatural being named Quartz who’s slippery about his own identity (“I was here to witness the making of this world,” he says. “I even played my part in its making”). Quartz imparts visions of the spirit of Abel, Rodin’s brother. The narrative shifts to a young boy named Matthew, who’s being trained by a sorcerer named Sifu to master his newly increased “Fire-Magic” powers. Readers of the previous installments in Hammer’s series will remember that Matthew earlier took a large gulp of a mystical “Heavenly Peach Elixir”; now the elixir courses through his body “like a raging red dragon of flames!” So much raw power in one so young is a source of worry for Matthew’s teachers, “because young minds can be impressionable, and easily led in the wrong direction.” Also concerned for Matthew’s safety is an ancient character named Eldarus, who’s voyaging to protect the boy from a menacing figure known as the Jinn-Magician (“There in the right passageway stood the Jinn-Magician, waving that red jewelled staff that hissed and fizzed with electric light. He was standing over two guards that he had surely murdered”). The story also re-introduces the headstrong Princess Cybele as she encounters the legendary Greek hero Perseus on his quest to fight Medusa and the gorgons. (She doesn’t believe him: “That man died over three thousand years ago,” she says. “You are handsome enough, boy, but don’t push your luck.”)

The author’s narrative technique of rapidly shifting viewpoints from chapter to chapter echoes a similar tactic by some of the bestselling writers in the fantasy genre, and for good reason: It keeps the story hurrying along in a compulsively readable way. Hammer is likewise skillful at changing tones; one chapter can be filled with high-stakes sorcerous tension, and the next can be, equally convincingly, lighthearted (Princess Cybele’s verbal sparring with Perseus is a perfect example of the latter). Unfortunately, these strengths don’t always offset the narrative’s weaknesses. Elements of the story are disappointingly derivative—the vampire lord is called Drahkul, Eldarus makes frequent references to the Three Rings of Power, and so on. The larger plot will be utterly beyond the comprehension of any newcomer—the author makes no concerted effort to fill in new readers about anything that’s happened in the series’ earlier entries. Readers encounter a very inventive world—one that features everything from Jinns to Greek mythology to Shaolin monks to the Monkey King, and in which the legions of Caesar can easily end up fighting hordes of vampires. Readers already up to speed on the many ongoing plot threads will find this volume a tense and fast-paced addition to Hammer’s engaging fantasy world. The plot thread involving Cybele’s growing—and ill-fated—feelings for Perseus is particularly effective, and Hammer does a good job of orchestrating the book’s suspenseful ending, which leads readers right on to the next installment.

A colorful and hyperactive section of a larger multicultural fantasy epic.

Pub Date: N/A

ISBN: N/A

Page Count: -

Publisher: N/A

Review Posted Online: Jan. 23, 2024

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ALCHEMISED

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

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Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.

Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

Pub Date: Sept. 23, 2025

ISBN: 9780593972700

Page Count: 1040

Publisher: Del Rey

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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BETWEEN TWO FIRES

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

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Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.

The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.

An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.

Pub Date: Oct. 2, 2012

ISBN: 978-1-937007-86-7

Page Count: 432

Publisher: Ace/Berkley

Review Posted Online: Sept. 1, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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