With vivid writing and characters, Carr's debut is sometimes brutal or sentimental, always passionate, never boring.
A deep plunge into the depths of violence, faith, and love experienced by several Black Texan women at various stages of life as they consider how they have both wounded and been wounded by those they’ve loved.
Whether seen as a novel or three novellas linked by overlapping characters, Carr’s debut is by turns eloquent and raw, fantastical and realistic. Part I focuses on the unhappiness and regrets of middle-aged Nettie as she mourns the anniversary of her mother’s death many years earlier. Nettie describes herself as a member of the “generation of integrators” whose parents fought for civil rights and whose kids are disillusioned by the results. Long married to a man with whom she can no longer communicate, Nettie tries to escape loss and regret through gambling and drinking. Her only real solace is her friend Peaches, with whom she shares a nightly cigarette over the phone. Peaches’ daughter, Ketinah, is the link to Part II, concerning Ketinah’s friend Maya. Raised in comfort and well educated, she has never confronted the in-your-face violence her husband, Troy, knows all too well and hopes to escape by “assimilation” into a White, middle-class Houston neighborhood. Struggling with postpartum depression, Maya grows distraught over the barrage of news about Black people killed by police until her panic-stricken desire to protect her children slips toward madness. Ketinah herself narrates Part III, a tour de force that shifts from gritty realism to gothic otherworldliness (though it's sometimes overwritten). Ketinah, her mother, Peaches, grandmother Eloise, and two great aunts weather a storm together in a San Antonio house eating, bickering, drinking, and mourning loves lost until Eloise and Ketinah’s gift of "the sight,” an ability to see the dead, leads to dramatic revelations. Carr uses the eerie setup to express Eloise’s emotional wisdom based on faith in “Love. Ghosts. God.”
With vivid writing and characters, Carr's debut is sometimes brutal or sentimental, always passionate, never boring.Pub Date: Feb. 28, 2023
ISBN: 978-0-593-31653-5
Page Count: 256
Publisher: Pantheon
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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