Poor Pinocchio: suddenly everyone, even his friends, is treating him very oddly. Why? Because the Blue Fairy turned him into a boy as he slept, and he hasn’t noticed yet. Scattering snowflakes across postmodern pagescapes defined by computer-assisted collages of fragmentary printed matter, towering architecture, and kaleidoscopic arrays of geometric forms, Smith follows his sadly confused ex-puppet on a trek through densely urban “Collodi,” where he’s pushed out by shop owners, tossed off the very puppet stage on which he’d so recently triumphed, and even ignored by his old buddy, Cricket. At last, the despondent lad spots Geppetto on a giant-screen TV and returns home, where the motherly Blue Fairy waits to explain matters. Pinocchio’s joy fills an entire, explosive spread. Like his collaborations with Jon Scieszka (Baloney, Henry P., 2001, etc.), Smith tweaks a classic—or, in this case, its final chapter—for a wild, arty spin-off; though children may be more familiar with the film than the fiction, both characters and context will need no explanation. (afterword) (Picture book. 8-10)
Pub Date: Sept. 1, 2002
ISBN: 0-670-03585-8
Page Count: 48
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2002
Imagine the states, Kansas, California, Ohio, and all the rest, as people with toothy grins, ping-pong balls for eyes, pipe cleaner limbs, and full-blown personalities. Imagine, then, that they get together at a party and decide to switch places on the map. In this amusing spoof, Kansas wakes up one morning saying, “I’m not feeling happy at all!” and starts the whole thing. Florida goes to Minnesota, California goes to Wisconsin, Nevada and Mississippi fall in love. Then the trouble starts: Alaska, who had missed company, feels claustrophobic among other states; Kansas finds his place in the middle of the ocean to be a bit too quiet; Minnesota, in Florida’s spot, forgets to pack suntan lotion; and so on. Soon the states are rushing back to their original spots with sighs of relief. Keller, in her first book pushes a silly idea, to great lengths, and will elicit laughs from all those who thought geography was boring. The states are colorful, boastful, belligerent, and charming, in collage illustrations that are full of spontaneous asides and intriguing labels. The states appear in a final gallery, with a few statistics to square off the whole funny enterprise. (Picture book. 8-10)
Pub Date: Oct. 1, 1998
ISBN: 0-8050-5802-8
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 1998
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...
The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.
Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”
Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)Pub Date: June 18, 2019
ISBN: 978-1-59643-750-0
Page Count: 112
Publisher: First Second
Review Posted Online: April 27, 2019
Kirkus Reviews Issue: May 15, 2019
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