A realistic and engaging love story in a finely illustrated setting.
A debut novel focuses on two close friends in 1990s New York City.
The year is 1995, and Harry Charity and Jay Bishop work at a magazine called Element. Harry and Jay forge a bond when they discover they are both fans of the Beat generation. This enthusiasm reaches a new level when the two visit the New York Public Library. It is there that they see the famous scroll of Teletype paper that Jack Kerouac used to compose On the Road. It’s a match made in heaven. The two pals eat lunch together frequently and discuss writing something as a team. While Harry is single and (at least somewhat) looking for the man of his dreams, Jay seems to be straight. Jay dates an art student named Zahra Kaviani. They may have their ups and downs, but they are a serious couple. As for Harry, he focuses on his romantic problems and work. Whether Harry is reflecting on his past relationship with a man named Matteo Ortiz or interviewing Allen Ginsberg, he has much to contemplate. Closs’ story paints an inviting picture of ’90s New York. Subway tokens are on the way out and email is on the way in. Bookstores abound, and no one stares at a cellphone on a night out. Place in this world likable characters like Harry and Jay, and the stage is set for an enjoyable drama about unrequited love. Readers will feel sympathy for Harry when he pets his cat and stares off into the city night. But other aspects of the tale can be tedious. At one point, Jay ruminates on a potential career move: “I don’t want to seem like I’m begging for the job. If he offers it to me, I want to be able to say, ‘These are my terms.’ ” Such work-related discussions are as dull as they sound. This is especially true when there are more heartfelt matters at stake.
A realistic and engaging love story in a finely illustrated setting.Pub Date: Sept. 6, 2022
ISBN: 9781608642274
Page Count: 272
Publisher: rEBEL SaTOri PrESS
Review Posted Online: Nov. 10, 2022
Review Program: Kirkus Indie
That college love affair you never got over? Come wallow in this gorgeous version of it.
A love triangle among young literati has a long and complicated aftermath.
King’s narrator doesn’t reveal her name until the very last page, but Sam and Yash, the brainy stars of her 17th-century literature class, call her Jordan. Actually, at first they refer to her as Daisy, for Daisy Buchanan of The Great Gatsby, but when they learn she came to their unnamed college on a golf scholarship, they change it to Jordan for Gatsby’s golfer friend. The boys are housesitting for a professor who’s spending a year at Oxford, living in a cozy, book-filled Victorian Jordan visits for the first time after watching The Deer Hunter at the student union on her first date with Sam. As their relationship proceeds, Jordan is practically living at the house herself, trying hard not to notice that she’s actually in love with Yash. A Baptist, Sam has an everything-but policy about sex that only increases the tension. The title of the book refers to a nickname for the king of hearts from an obscure card game the three of them play called Sir Hincomb Funnibuster, and both the game and variations on the moniker recur as the novel spins through and past Jordan’s senior year, then decades into the future. King is a genius at writing love stories—including Euphoria (2014), which won the Kirkus Prize—and her mostly sunny version of the campus novel is an enjoyable alternative to the current vogue for dark academia. Tragedies are on the way, though, as we know they must be, since nothing gold can stay and these darn fictional characters seem to make the same kinds of stupid mistakes that real people do. Tenderhearted readers will soak the pages of the last chapter with tears.
That college love affair you never got over? Come wallow in this gorgeous version of it.Pub Date: Oct. 7, 2025
ISBN: 9780802165176
Page Count: 256
Publisher: Grove
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
PERSPECTIVES
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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