A realistic and engaging love story in a finely illustrated setting.
A debut novel focuses on two close friends in 1990s New York City.
The year is 1995, and Harry Charity and Jay Bishop work at a magazine called Element. Harry and Jay forge a bond when they discover they are both fans of the Beat generation. This enthusiasm reaches a new level when the two visit the New York Public Library. It is there that they see the famous scroll of Teletype paper that Jack Kerouac used to compose On the Road. It’s a match made in heaven. The two pals eat lunch together frequently and discuss writing something as a team. While Harry is single and (at least somewhat) looking for the man of his dreams, Jay seems to be straight. Jay dates an art student named Zahra Kaviani. They may have their ups and downs, but they are a serious couple. As for Harry, he focuses on his romantic problems and work. Whether Harry is reflecting on his past relationship with a man named Matteo Ortiz or interviewing Allen Ginsberg, he has much to contemplate. Closs’ story paints an inviting picture of ’90s New York. Subway tokens are on the way out and email is on the way in. Bookstores abound, and no one stares at a cellphone on a night out. Place in this world likable characters like Harry and Jay, and the stage is set for an enjoyable drama about unrequited love. Readers will feel sympathy for Harry when he pets his cat and stares off into the city night. But other aspects of the tale can be tedious. At one point, Jay ruminates on a potential career move: “I don’t want to seem like I’m begging for the job. If he offers it to me, I want to be able to say, ‘These are my terms.’ ” Such work-related discussions are as dull as they sound. This is especially true when there are more heartfelt matters at stake.
A realistic and engaging love story in a finely illustrated setting.Pub Date: Sept. 6, 2022
ISBN: 9781608642274
Page Count: 272
Publisher: rEBEL SaTOri PrESS
Review Posted Online: Nov. 10, 2022
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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