An engaging, chatty, and meandering tale about the ways people make sense of the world.
A TV reporter tries to track down one of America’s greatest hoaxes in this comic novel.
Cooperstown, New York, 2003. The Cardiff Giant has been a local oddity of upstate New York ever since it was unearthed from a farmer’s field in 1869. Though the 10-foot-tall petrified man was quickly discovered to be a hoax, it remains a popular attraction at Cooperstown’s Farmers’ Museum—at least until it mysteriously vanishes. As part of his new position as a reporter for the Discovery Channel, Jack Thrasher is sent to investigate the disappearance, and he’s making a point to leave his skepticism at the door. “Enlightenment was bad for ratings,” explains Jack. “Let the ordinariness of life give way to the extraordinary, the marvelous—the paranormal!” In that spirit, he’s dutifully recording all the out-there theories of the locals, even when they propose that the giant came back to life or was abducted by aliens. But as Jack settles into the village, he soon begins to realize that the giant is hardly the weirdest thing about Cooperstown, a place replete with cabalists, astrologers, devotees of plant spirit medicine, and even a ravioli bearing an incredible resemblance to Mel Gibson. Can Jack get to the bottom of this disappearance without diving headfirst into the realm of the absurd? Lockridge’s prose is humorous and rich with detail, particularly regarding the history of the town and its oddities. At one point, Jack relates: “I got locked into the Baseball Hall of Fame after hours. I’d fallen asleep in the men’s room at closing. I was so battered, poisoned, and bitten since arriving in Cooperstown—and pumped so full of antibiotics, emetics, valium, and anti-inflammatories—that I wasn’t steady on my feet and was prone to narcosis.” The text is accompanied by stylish, black-and-white illustrations by Scanlon (who also provides the striking cover art). The plot unfolds at a leisurely pace, and there is a lot more banter than there are dramatic incidents or moments of high tension. The author is ultimately most interested in investigating the strange beliefs that animate people. Those who are similarly curious will find much to enjoy here.
An engaging, chatty, and meandering tale about the ways people make sense of the world.Pub Date: Jan. 11, 2021
ISBN: 978-1-77180-424-0
Page Count: 164
Publisher: Iguana Books
Review Posted Online: March 14, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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