An engaging, chatty, and meandering tale about the ways people make sense of the world.
A TV reporter tries to track down one of America’s greatest hoaxes in this comic novel.
Cooperstown, New York, 2003. The Cardiff Giant has been a local oddity of upstate New York ever since it was unearthed from a farmer’s field in 1869. Though the 10-foot-tall petrified man was quickly discovered to be a hoax, it remains a popular attraction at Cooperstown’s Farmers’ Museum—at least until it mysteriously vanishes. As part of his new position as a reporter for the Discovery Channel, Jack Thrasher is sent to investigate the disappearance, and he’s making a point to leave his skepticism at the door. “Enlightenment was bad for ratings,” explains Jack. “Let the ordinariness of life give way to the extraordinary, the marvelous—the paranormal!” In that spirit, he’s dutifully recording all the out-there theories of the locals, even when they propose that the giant came back to life or was abducted by aliens. But as Jack settles into the village, he soon begins to realize that the giant is hardly the weirdest thing about Cooperstown, a place replete with cabalists, astrologers, devotees of plant spirit medicine, and even a ravioli bearing an incredible resemblance to Mel Gibson. Can Jack get to the bottom of this disappearance without diving headfirst into the realm of the absurd? Lockridge’s prose is humorous and rich with detail, particularly regarding the history of the town and its oddities. At one point, Jack relates: “I got locked into the Baseball Hall of Fame after hours. I’d fallen asleep in the men’s room at closing. I was so battered, poisoned, and bitten since arriving in Cooperstown—and pumped so full of antibiotics, emetics, valium, and anti-inflammatories—that I wasn’t steady on my feet and was prone to narcosis.” The text is accompanied by stylish, black-and-white illustrations by Scanlon (who also provides the striking cover art). The plot unfolds at a leisurely pace, and there is a lot more banter than there are dramatic incidents or moments of high tension. The author is ultimately most interested in investigating the strange beliefs that animate people. Those who are similarly curious will find much to enjoy here.
An engaging, chatty, and meandering tale about the ways people make sense of the world.Pub Date: Jan. 11, 2021
ISBN: 978-1-77180-424-0
Page Count: 164
Publisher: Iguana Books
Review Posted Online: March 14, 2022
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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