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THE PRINCESS SPY

THE TRUE STORY OF WORLD WAR II SPY ALINE GRIFFITH, COUNTESS OF ROMANONES

A lively history of a spirited woman.

This spy wore Balenciaga.

Loftis, a lawyer and author of nonfiction espionage thrillers who last wrote about a Frenchwoman who spied for Britain during World War II, turns his attention to Aline Griffith (1923-2017), an American OSS agent based in Madrid. Not trusting Griffith’s multiple memoirs—including the romantically titled The Spy Wore Red and The Spy Went Dancing—which Loftis deems “historical fiction,” he mined her OSS files as well as other agents’ writings to create a brisk narrative filled with glamour, glitz, and mysterious characters. Having grown up in a small New York town, Griffith was eager for adventure. In 1943, at a friend’s dinner party, she told a handsome new acquaintance that she wished she could help in the war effort like her two younger brothers. Shortly after, she was recruited to train at America’s “first school of espionage,” and within weeks, she was assigned to go to Spain. Beautiful, bright, and apparently unflappable, she became a valued agent, carrying out missions, filing 59 field reports, supervising other spies, and tangling with German agents, Nazi collaborators, and enigmatic women, such as Countess Gloria von Furstenberg. Elegantly dressed, Griffith infiltrated high society, escorted by a roster of attractive admirers, including a famous matador and a Spanish aristocrat whom she later married, making her the Countess of Quintanilla. She lived, Loftis writes, “an extraordinarily multi-faceted life as a small-town girl, a model, a spy, a wife, a mother, a socialite, a fashion icon, and a celebrity.” She courted danger in order to serve her country, “then found the love of her life in a fairytale romance.” The author re-creates verbatim conversations and sumptuous settings in a narrative that often reads less like a spy thriller and more like a fairy tale, complete with Griffith’s many celebrity friends: Audrey Hepburn, Jacqueline Kennedy, the Duchess of Alba, and the Windsors, among them.

A lively history of a spirited woman.

Pub Date: Feb. 9, 2021

ISBN: 978-1-982143-86-2

Page Count: 384

Publisher: Atria

Review Posted Online: Dec. 7, 2020

Kirkus Reviews Issue: Jan. 1, 2021

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THE BACKYARD BIRD CHRONICLES

An ebullient nature lover’s paean to birds.

A charming bird journey with the bestselling author.

In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”

An ebullient nature lover’s paean to birds.

Pub Date: April 23, 2024

ISBN: 9780593536131

Page Count: 320

Publisher: Knopf

Review Posted Online: Jan. 19, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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