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RETURN PASSAGES

GREAT AMERICAN TRAVEL WRITING, 1780-1910

Written in a velvety professorial voice, these excellent vignettes of five exemplary travelers provide a steady pulse of...

A deeply intelligent, chin-in-hand rumination on the nature of American travel-writing, or at least a selection thereof, from the Revolutionary War to the outbreak of WWI, by literary historian Ziff (Writing in the New Nation, not reviewed).

Examining an emblematic group composed of John Ledyard, John Lloyd Stephens, Bayard Taylor, Mark Twain, and Henry James, the author tracks the evolution of their travel pieces from early descriptive reports of discovery to distinct literary narratives. In all five, he finds elements that both reflected and embellished the national character, powerful writing that celebrated the exotic but also possessed “the author’s capacity to present his heightened self-awareness in a manner that serves to move readers to question the unexamined familiarities of their own lives.” This self-awareness, in turn, often prompted scalding glances at their own country. In Ledyard, who wrote a narrative of sailing with Captain Cook, then described traveling through Russia and Siberia in the years directly after the Revolutionary War, Ziff (English/Johns Hopkins Univ.) finds the most resolutely democratic of the five writers, a man who optimistically foresaw in the American experience a universal liberation of mankind. Stephens endeavored to bestow on the Americas their own monumental past by returning from Mexico with the first news of Chichén Itzá and Tulum. Taylor, the first to write about travel on a shoestring, later specialized in road-to-empire swagger, which made him an ideal companion for Commodore Perry. Twain hated travel-writing but brought to it the kind of horse sense that made readers check their preconceptions, challenged as well by his biting satires of racial prejudice. For James, it was “the European past flowing into the American present” that would complete the making of a nation.

Written in a velvety professorial voice, these excellent vignettes of five exemplary travelers provide a steady pulse of context and critique, amply demonstrating how travel literature helped shape a national identity. (21 color illustrations)

Pub Date: Jan. 1, 2001

ISBN: 0-300-08236-3

Page Count: 320

Publisher: Yale Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2000

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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