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THE SEA KNOWS MY NAME

A perceptive, kaleidoscopic, heartbreaking, and ultimately hopeful meditation on what it means to survive.

Amid the ruins of Astoria, a coastal country shaped by both mythology and natural disasters, a pirate’s daughter blazes her own path.

Thea’s mother, Clementine, was a scientist until her research indicating the threat of an impending volcanic eruption in their island region was dismissed by male peers—with devastating consequences. Rather than risk becoming a “reproductive commodity” for the survivors who fled to ancient Astorian ruins along the coast of a nearby continent, Clementine built herself and Thea a new home and legacy at sea. Three years later, 17-year-old Thea struggles to be more like her namesake, the goddess of cleverness and rationality, and to embody the brutal, pragmatic strength Clementine considers necessary for survival. After an opportunity to leave Clementine’s fleet swiftly turns nightmarish, Thea seeks peace and solitude near the settlement where childhood friend Wes now lives. Amid the slowly building tension and visceral immediacy of trauma and its aftermath, moments of adventure and discovery shine, reflecting the transformative potency of being seen and believed. Lyrical and wry by turns, Thea’s first-person narration deftly draws sophisticated connections between masterfully plotted past and present timelines and interstitial excerpts of myths as she finds her own ways to survive and slowly rejects patriarchal definitions of strength, control, and credibility. Most major characters are presumed White and straight; Wes is described as having darker skin and is cued as bi.

A perceptive, kaleidoscopic, heartbreaking, and ultimately hopeful meditation on what it means to survive. (Fantasy. 12-18)

Pub Date: June 14, 2022

ISBN: 978-0-525-55406-6

Page Count: 272

Publisher: Dial Books

Review Posted Online: March 28, 2022

Kirkus Reviews Issue: April 15, 2022

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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THE OBSESSION

A suspenseful story that starts off with great promise but fails to deliver.

A teenage girl struggles with the question of whom to trust in the age of social media exposure.

Thanks to Connie’s mom’s family vlog, her life is anything but private. She enjoyed it at first, but now, between the mean comments online and the cruel mockery from peers in real life, Connie feels like she’s in a prison. Her sister, Isla, says it’s worth it for the money, but Connie isn’t sure if that’s really true. Connie’s anger over Mom’s refusal to heed warnings that revealing so much puts them in danger continues to build. When she’s left alone for two weeks while Mom and Isla go on a college road trip, local girls start dying, and a fan reaches out on social media in an unsettling way, leaving Connie worried about her safety. White-presenting Connie’s sense of humor is charming, and her insights will earn readers’ sympathy as the tension builds. As emotions rise, Preston’s poetic language beautifully captures Connie’s feelings about her mom’s obsession with social media and her confusion about who is worthy of her trust. The topics of safety and the uncharted waters of social media are skillfully woven into the plot. However, some inconsistencies weaken the overall story: Apart from Connie, the characters are too lightly developed, and some plot points don’t align with earlier events and motivations, making the ultimate revelation a disappointment.

A suspenseful story that starts off with great promise but fails to deliver. (Thriller. 12-18)

Pub Date: Dec. 2, 2025

ISBN: 9798217028009

Page Count: 320

Publisher: Delacorte

Review Posted Online: Nov. 22, 2025

Kirkus Reviews Issue: Jan. 1, 2026

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