A tender, engaging narrative intended to inspire positivity in the face of adversity.
A small tabby cat with some special skills helps a reluctant young woman navigate challenging times in Ford’s YA novel.
Nineteen-year-old Wendy, who works as a web designer, has been recently losing her hearing. Doctors tell her that, eventually, the loss will be total, so she’s taking a class in sign language and practices lip reading to prepare for the future. The last thing she needs is to complicate her life by adopting a cat, but her parents insist that she take her recently deceased grandmother’s pet, which shares Wendy’s name.The humanWendy isn’t fond of felines; her parents raise and show champion purebred cats, which she feels has been their top priority throughout her life. That’s why they refuse to bring a “mongrel” cat into their home, where she might somehow compromise the award-winning Martha and Kiki. Wendy brings her to the local animal shelter, but they’re full up. Simon, a kindhearted shelter volunteer, suggests that she take care of the gentle little tabby until they have an opening. Soon, however, the new pet escapes from Wendy’s house and runs to the home of new neighbor Mrs. Matinka Budnick, where she evidently plans to stay; later, though, Wendy discovers the cat’s unique talents. The protagonist begins her narrative journey with a lot of emotional baggage, but Ford gives readers the opportunity to follow her as she embarks on some adventure and perhaps a bit of romance. She must start by learning compassion and building self-confidence, as spelled out in a note her grandmother wrote during her final days: “What will ruin your life is your attitude. You lose some things—but in life you will also discover some new things, wonderful things.” The plucky little tabby is the most endearing character in the book, and the charming and determined animal becomes Wendy’s fierce protector and loving guide. Overall, Ford’s uncomplicated prose and affirmative, directive messaging will be most appropriate for readers who are at the younger end of the YA range.
A tender, engaging narrative intended to inspire positivity in the face of adversity.Pub Date: July 29, 2021
ISBN: 978-1-52-559299-7
Page Count: 150
Publisher: FriesenPress
Review Posted Online: Aug. 19, 2021
Kirkus Reviews Issue: Nov. 1, 2021
Review Program: Kirkus Indie
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.
After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.
Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.
This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)Pub Date: Aug. 30, 2016
ISBN: 978-1-101-93471-5
Page Count: 416
Publisher: Delacorte
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: May 15, 2016
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