Young readers will definitely call dibs on this one.
Two brothers call dibs, starting a war that escalates to epic proportions.
In Gehl’s simple narration, older brother Julian always calls dibs on everything. Dibs on the plate with the planets on it and on the star-shaped cookies, while his baby brother, Clancy, observes. It is no surprise that Clancy’s first word is “Dibs!” However, Clancy has upped the ante. Instead of calling dibs on mere toys and treats, he goes for their parents’ bed. Mom and Dad relent: “Well, he did call dibs.” Clancy continues, calling dibs on the entire bakery (and stuffing his face), on an airplane, and even on the White House. All of the adults cede to Clancy, even the Secret Service: “Well, he did call dibs.” Julian attempts to explain the rules of dibs and democracy, insisting that “you can’t call dibs on the White House! You need to be elected”—but to no avail. It is not until Clancy calls dibs on NASA and blasts into space on a rocket that Julian reflects on his relationship with his sibling. Gehl provides a steady pace of increasing suspense and silliness, capping Clancy’s demands with a cosmic climax and ending with a punchline. Piwowarski provides realistic characters with bright blended colors and blurred borders that capture the mischievous spirit of the story. Julian, Clancy, and their parents all appear to be Asian. Adults, beware of the dibs wars this title will initiate.
Young readers will definitely call dibs on this one. (Picture book. 4-7)Pub Date: May 7, 2019
ISBN: 978-1-5124-6532-7
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
A mind-stretching outlook that may help youngsters with change—and will certainly cause them to think.
A cyclical take on life.
Endings can sometimes feel sad or heavy in their finality. But Bender reverses this perspective. In fact, the story starts, as a tiny caterpillar tells readers, with “THE END.” A young tot on a bed closing a book looks puzzled. Bender acknowledges the absurdity. “But wait—how can a book possibly start with the end? That’s ridiculous.” It’s not, once you change your frame of reference. Continuing in a conversational tone, Bender gives examples. Some are personal and immediate: “The end of a disagreement with someone … / is just the beginning of making up.” Others are more abstract: “When you count, the end of one number is just the beginning of the next number… / and so on and so on and so on, all the way to infinity, which, by the way, NEVER ends!” Two friends or perhaps siblings (one with brown skin and brown hair in two Afro puffs, the other with pale skin and straight, black hair) act out the scenarios, which are strung together over the course of a day from one morning to the next. Mayo’s illustrations also dance between concrete and abstract, illustrating disagreement with one kid scowling, sitting back to the other, who looks distressed, next to a ruined sand castle and infinity with an image of the two kids cycling along an enormous infinity sign. In a meta-infused closing, Bender concludes with “THE BEGINNING / (of discovering the next book).” A cleverly placed butterfly flits away. The hazy wash over muted tones gives a warm, cozy embrace to the message. (This book was reviewed digitally with 9-by-18-inch double-page spreads viewed at 48.2% of actual size.)
A mind-stretching outlook that may help youngsters with change—and will certainly cause them to think. (Picture book. 4-7)Pub Date: April 20, 2021
ISBN: 978-1-984896-93-3
Page Count: 40
Publisher: Crown
Review Posted Online: March 1, 2021
Kirkus Reviews Issue: March 15, 2021
Original and absorbing.
In this Swiss import, words come to life—literally—as a young boy squishes, stretches, and hurls them through the air.
Oscar digs up a chest filled with jumbled-up words. He pulls out fluorescent, straightens it out, then tosses it at a nearby hedgehog, who suddenly becomes awash in neon. And that’s just the beginning. He uses hairy to give an old oak tree a trendy new ’do, transforms a beetle into a hulking, “monstrous” creature (he quickly undoes that change with adorable), and, with help from lightweight, lifts a backhoe in the air using just one hand. After Oscar runs out of words, he turns to a neighbor who has her own stash of words. She teaches him that he can find words just about anywhere, as long as he’s observant: “Use them with care and you can make the world blossom.” With her encouragement, he does just that. This vocabulary-rich story is visually striking and quietly powerful. Full of unusual words like bulbous, tender-leafed, and velvety, it leaves readers with pages full of unnamed images ripe for the claiming. The illustrations are whimsical and playful while also making concrete something that is utterly abstract. Oscar’s world has an exaggerated, off-kilter feel; with the earthy palette and changing perspectives, the art is a strong match for the storytelling. Most characters are light-skinned.
Original and absorbing. (Picture book. 4-7)Pub Date: March 18, 2025
ISBN: 9780735845602
Page Count: 48
Publisher: NorthSouth
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
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