A picture book to count on for delightful shared reading.
Share and share alike! Gehl’s debut picture-book text is a silly romp of a counting book with a lesson in sharing to boot. Its rhyming text opens with a giggle-inspiring dilemma: “ONE big pair of underwear. / TWO brown bears who hate to share. ONE bear wears the underwear. // ONE bear growls, ‘That isn’t fair!’ ” Ensuing pages display similarly silly conundrums: only two snacks for three yaks, just five pillows and mats for six sleepy cats, and so on. The only thing that these creatures seem to share is a case of the greedies. For every situation, the one who comes up short is less-than-pleased, with the excluded cat, for example, thinking “Rats! Rats! Rats!” as it inflates an air mattress (which has a hole in it). Such comical twists abound in Lichtenheld’s illustrations, which more than hold their own against the text’s goofy details and seem like they would translate well into animation. Ultimately, a group of 20 pigs amicably share just 10 playground slides, and seeing this, the bears are inspired to share their underwear, as depicted in the cover art. The other animals follow suit, and all’s well that ends well—even if the text credits the underwear, rather than the (ironically) generous pigs, for inspiring the feel-good camaraderie at book’s end.
A picture book to count on for delightful shared reading. (Picture book 3-6)Pub Date: Sept. 9, 2014
ISBN: 978-1-4424-5336-4
Page Count: 40
Publisher: Beach Lane/Simon & Schuster
Review Posted Online: June 29, 2014
Kirkus Reviews Issue: July 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
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