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CENTRAL PARK SERENADE

Catchy couplets and luscious full-bleed illustrations combine in this joyous celebration of a Central Park summer. The title spread, bathed in the golden glow of sunrise, sets the tone as a child, model boat above his bed, sleeps in his park-side bedroom. Rich earth tones emanate warmth as the child, boat in hand and father by his side, stands on the busy street corner about to enter the park. (“Beep, beep, beep, / A taxi calls. / But the traffic creeps and the traffic crawls / Honk, honk, honk. / A bus drives by. / A startled baby starts to cry.”) The next spread offers a bird’s-eye view and introduces the title’s refrain: “And the pigeons coo / And the big dogs bark / And the noises echo through the park.” Subsequent spreads highlight, among other events, a steel drum performance (“Boom, boom, boom, / A drummer plays”), and a baseball game (“Striike one! Striike two! An umpire’s call. / Craaack! Whoosh! retorts the ball”). In all, the boy, his father, and friends blend into the background. The foursome finally comes into focus when they reach the boating pond. Buttery sails dominate the centerfold as the children kneel at water’s edge with their remote controls. The final spread brings the story full circle as the boy hangs his boat above his bed and sunset settles over the park. Children will enjoy spotting the boy and his boat in each scene and the repeated refrain invites participation. Endpapers feature a map of Central Park with labeled landmarks. Very inviting. (Picture book. 3-5)

Pub Date: April 1, 2002

ISBN: 0-06-025891-8

Page Count: 32

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2002

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RAPUNZEL

From the Once Upon a World series

Adults wishing to expand the worldviews of their young charges beyond Eurocentric interpretations will find plenty of visual...

A retelling of the classic fairy tale with India as its setting.

This latest addition to the Once Upon A World series tells the well-known story of the maiden with beautiful long tresses locked away in a tower by an evil witch and the prince who falls in love with her. As with Perkins’ Cinderella (illustrated by Sandra Equihua, 2016) and Snow White (illustrated by Misa Saburi, 2016), the text has been simplified for a younger audience, and the distinguishing twist here is its setting in India. The mixed-media illustrations of plants, animals, village life, and, of course, Rapunzel, the witch, and the prince come alive in warm, saturated colors. Other than the visuals, there is little to differentiate the story from traditional tellings. As always, it is still the prince who will eventually lead Rapunzel to her salvation by taking her to his kingdom far away from the witch, but that is the nature of fairy tales. The only quibble with this book and indeed with this series is the board-book format. Given the fact that the audience most likely to enjoy it is beyond the board-book age, a full-size book would have done more justice to the vibrant artwork.

Adults wishing to expand the worldviews of their young charges beyond Eurocentric interpretations will find plenty of visual delights in this one, though they’ll wish it were bigger. (Board book. 3-5)

Pub Date: March 21, 2017

ISBN: 978-1-4814-9072-6

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: April 16, 2017

Kirkus Reviews Issue: July 1, 2017

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TEN LITTLE FINGERS AND TEN LITTLE TOES

A pleasing poem that celebrates babies around the world. Whether from a remote village or an urban dwelling, a tent or the snow, Fox notes that each “of these babies, / as everyone knows, / had ten little fingers / and ten little toes.” Repeated in each stanza, the verse establishes an easy rhythm. Oxenbury’s charming illustrations depict infants from a variety of ethnicities wearing clothing that invokes a sense of place. Her pencil drawings, with clean watercolor washes laid in, are sweetly similar to those in her early board books (Clap Hands, 1987, etc.). Each stanza introduces a new pair of babies, and the illustrations cleverly incorporate the children from the previous stanzas onto one page, allowing readers to count not only fingers and toes but also babies. The last stanza switches its focus from two children to one “sweet little child,” and reveals the narrator as that baby’s mother. Little readers will take to the repetition and counting, while parents will be moved by the last spread: a sweet depiction of mother and baby. (Picture book. 3-5)

Pub Date: Oct. 1, 2008

ISBN: 978-0-15-206057-2

Page Count: 34

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2008

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