by Laura James ; illustrated by Églantine Ceulemans ‧ RELEASE DATE: Nov. 7, 2017
Loopy but fun.
Captain Pug (2017) found he wasn’t the best sailor. Maybe he’ll have more luck as a cowboy!
Young Lady Miranda is out in the garden at No. 10. The Crescent with her pug dog, Pug, and her stick horse, Pony, chasing away bandits (pigeons) when Pony suffers an injury (his stick breaks). Running Footman Will and Running Footman Liam and Wendy the housekeeper come to help. Lady Miranda decides she needs a new horse, and Running Footman Will and Running Footman Liam carry her in the sedan chair to do some horse trading. At the stable they meet Frank, a “real-life cowboy,” the magic-trick–obsessed son of the stable owner. Lady Miranda and Cowboy Pug test-ride Horsey, Frank’s old horse, and find themselves in the back of Frank’s father’s trailer headed for the Little Witherington County Fair. Frank and the Running Footmen set off in pursuit…but their pursuit catches the attention of Maud, a new police officer on patrol. When real-life cattle rustlers get involved and a runaway bull rampages through the fair, whatever will happen? James’ second chapter-book adventure starring Pug is another fun read, juxtaposing highly unlikely elements (livery-clad footman and a sedan chair!) against a modern English setting. Ceulemans’ three-color, cartoon line drawings of the little lady and her lazy pug reveal that the primary cast is white, though the England they inhabit is realistically diverse.
Loopy but fun. (Fantasy. 5-8)Pub Date: Nov. 7, 2017
ISBN: 978-1-68119-824-8
Page Count: 128
Publisher: Bloomsbury
Review Posted Online: Aug. 20, 2017
Kirkus Reviews Issue: Sept. 1, 2017
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by Meena Harris ; illustrated by Marissa Valdez ‧ RELEASE DATE: Feb. 3, 2026
Another empowering outing led by a dynamic young role model.
The third title in the Ambitious Girl series finds young Maya wanting accomplished women to get their due.
On a school trip to Washington, D.C., brown-skinned, bubble-braided Maya is full of questions, among them “How many representatives are there?” and, while checking out the statues and monuments, “Where are all the women?” Maya’s teacher tells her that they’ve seen all the “popular” statues and monuments. Maya is as dogged (“But what about Eleanor Roosevelt? Or Mary McLeod Bethune?”) as her teacher is dismissive: “Those aren’t on my list.” (Maya’s teacher follows the same list every trip.) Back at home, Maya is newly awakened to the lack of female representation in her orbit—she notices that streets and “even her own school” are named for men. Is there anything she can do about this? Maya’s teacher’s cluelessness feels a bit implausible, more like a plot device to steer the story in the right direction, but Maya’s righteous indignation is believable, and her corresponding activism will energize readers. Valdez gets into the spirit of things with her invigorating digital art: Maya and her multiethnic classmates and neighbors are colorful dressers with smiling faces, which fosters a sense that wherever Maya goes, a warm and ebullient community is there for her.
Another empowering outing led by a dynamic young role model. (Picture book. 5-8)Pub Date: Feb. 3, 2026
ISBN: 9780316561341
Page Count: 40
Publisher: Little, Brown
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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by Meena Harris ; illustrated by Ana Ramírez González
by Dev Petty ; illustrated by Lauren Eldridge ‧ RELEASE DATE: June 20, 2017
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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