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AGAINST LOVE

A POLEMIC

An intelligent, literate, and allusive take that raises many intriguing questions, even if it doesn't always answer them.

Deliberately provocative arguments, by cultural critic Kipnis (Bound and Gagged, 1996, etc.) wittily demonstrates that love might not be such a many-splendored thing.

The tone’s light, even playful, but the thesis is fundamentally serious. In four long chapters, Kipnis (Media Studies/Northwestern Univ.) chronicles all those aspects of love that society values—its promises of stability, transformation, and personal fulfillment—then argues that perhaps love is more complex, more limiting than conventional wisdom has it. In “Love’s Labors,” she criticizes the current belief that love, like weight control, is something individuals have to work at. This attitude, usually favored by therapists, changes what is essentially erotic play into another chore, the author contends: Why, if love is so normal, does it require so much propaganda, from movies to magazines? “Domestic Gulags” riffs on the limitations that commitment and couples impose, everything from circumscribed television watching to food choices. The pain caused by such love-related lapses as infidelity, guilt, and deception is the subject of “The Art of Love,” in which Kipnis notes the “pothole-ridden intimacy systems” that “refuse to acknowledge their own contradictions” and hence encourage damaging self-deceptions and emotional burdens. Drawing on the recent revelations of adultery in high places from the White House to New York City’s mayoral mansion, she observes in “…And The Pursuit of Happiness” that this widespread fooling around suggests we all want more than we have. “Adultery,” Kipnis observes, “whatever its inherent problems . . . is at least a reliable way of proving to ourselves that we’re not quite in the ground quite yet.” All of which leaves love reeling on the ropes, though not quite down and out.

An intelligent, literate, and allusive take that raises many intriguing questions, even if it doesn't always answer them.

Pub Date: Aug. 26, 2003

ISBN: 0-375-42189-0

Page Count: 224

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2003

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THE LAST OF THE PRESIDENT'S MEN

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Four decades after Watergate shook America, journalist Woodward (The Price of Politics, 2012, etc.) returns to the scandal to profile Alexander Butterfield, the Richard Nixon aide who revealed the existence of the Oval Office tapes and effectively toppled the presidency.

Of all the candidates to work in the White House, Butterfield was a bizarre choice. He was an Air Force colonel and wanted to serve in Vietnam. By happenstance, his colleague H.R. Haldeman helped Butterfield land a job in the Nixon administration. For three years, Butterfield worked closely with the president, taking on high-level tasks and even supervising the installation of Nixon’s infamous recording system. The writing here is pure Woodward: a visual, dialogue-heavy, blow-by-blow account of Butterfield’s tenure. The author uses his long interviews with Butterfield to re-create detailed scenes, which reveal the petty power plays of America’s most powerful men. Yet the book is a surprisingly funny read. Butterfield is passive, sensitive, and dutiful, the very opposite of Nixon, who lets loose a constant stream of curses, insults, and nonsensical bluster. Years later, Butterfield seems conflicted about his role in such an eccentric presidency. “I’m not trying to be a Boy Scout and tell you I did it because it was the right thing to do,” Butterfield concedes. It is curious to see Woodward revisit an affair that now feels distantly historical, but the author does his best to make the story feel urgent and suspenseful. When Butterfield admitted to the Senate Select Committee that he knew about the listening devices, he felt its significance. “It seemed to Butterfield there was absolute silence and no one moved,” writes Woodward. “They were still and quiet as if they were witnessing a hinge of history slowly swinging open….It was as if a bare 10,000 volt cable was running through the room, and suddenly everyone touched it at once.”

Less a sequel than an addendum, the book offers a close-up view of the Oval Office in its darkest hour.

Pub Date: Oct. 13, 2015

ISBN: 978-1-5011-1644-5

Page Count: 304

Publisher: Simon & Schuster

Review Posted Online: Oct. 20, 2015

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21 LESSONS FOR THE 21ST CENTURY

Harari delivers yet another tour de force.

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A highly instructive exploration of “current affairs and…the immediate future of human societies.”

Having produced an international bestseller about human origins (Sapiens, 2015, etc.) and avoided the sophomore jinx writing about our destiny (Homo Deus, 2017), Harari (History/Hebrew Univ. of Jerusalem) proves that he has not lost his touch, casting a brilliantly insightful eye on today’s myriad crises, from Trump to terrorism, Brexit to big data. As the author emphasizes, “humans think in stories rather than in facts, numbers, or equations, and the simpler the story, the better. Every person, group, and nation has its own tales and myths.” Three grand stories once predicted the future. World War II eliminated the fascist story but stimulated communism for a few decades until its collapse. The liberal story—think democracy, free markets, and globalism—reigned supreme for a decade until the 20th-century nasties—dictators, populists, and nationalists—came back in style. They promote jingoism over international cooperation, vilify the opposition, demonize immigrants and rival nations, and then win elections. “A bit like the Soviet elites in the 1980s,” writes Harari, “liberals don’t understand how history deviates from its preordained course, and they lack an alternative prism through which to interpret reality.” The author certainly understands, and in 21 painfully astute essays, he delivers his take on where our increasingly “post-truth” world is headed. Human ingenuity, which enables us to control the outside world, may soon re-engineer our insides, extend life, and guide our thoughts. Science-fiction movies get the future wrong, if only because they have happy endings. Most readers will find Harari’s narrative deliciously reasonable, including his explanation of the stories (not actually true but rational) of those who elect dictators, populists, and nationalists. His remedies for wildly disruptive technology (biotech, infotech) and its consequences (climate change, mass unemployment) ring true, provided nations act with more good sense than they have shown throughout history.

Harari delivers yet another tour de force.

Pub Date: Sept. 4, 2018

ISBN: 978-0-525-51217-2

Page Count: 400

Publisher: Spiegel & Grau

Review Posted Online: June 26, 2018

Kirkus Reviews Issue: July 15, 2018

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