by Laura Logan ; illustrated by Laura Logan ‧ RELEASE DATE: Feb. 9, 2016
Avoid this confusing fantasy and instead seek out one of the many excellent books that directly discuss the monarch’s...
When her cat injures the wing of a monarch butterfly at the opening of this wordless story, the blonde little white girl is delighted to discover that the creature can still fly.
Curling up under her orange cape for a nap in the grass, she is soon covered with a blanket of monarchs, who carry her over land and sea to a grove of trees covered in butterflies. Alighting, she sprouts monarch wings of her own and then, abruptly, is depicted lying on the ground again. Working with pencils and digital media, Logan uses a controlled palette: the butterflies, the girl’s cape, and a few leaves and flowers are orange; the water and occasional patches of sky are blue; everything else is soft gray. A rent in the girl’s cape together with its color connect her visually with the injured butterfly, a detail children will appreciate. They will, however, be puzzled by much else, starting with the story’s ambiguity: is her journey real, or is it a dream? The pictorial clues are mixed. How does the little girl grasp all those butterflies? And, having established the visual leitmotif of the torn wing, Logan disappoints readers by not clearly depicting the girl’s special friend during the fantastical flight. In a note, Logan describes her feeling of wonder at butterfly migration.
Avoid this confusing fantasy and instead seek out one of the many excellent books that directly discuss the monarch’s amazing journey. (Picture book. 4-7)Pub Date: Feb. 9, 2016
ISBN: 978-0-06-228126-5
Page Count: 32
Publisher: Balzer + Bray/HarperCollins
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
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by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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