A satisfying examination of one woman’s journey of self-discovery.
A woman in her mid-50s embarks on a solo adventure and finds herself in the process.
When Ammalie Brinks’ husband, Vincent, died, they had only recently become empty nesters. This new loss was too soon, and Ammalie worries that if she had acted faster when he had the stroke, if she had known what to do, perhaps he wouldn’t have died. Instead, she’s been left on her own. Her son, Powell, has asked for space while he processes his father’s death; her closest friend, Mari, is confronting marriage troubles; and her sister, Apricot, is struggling with her health. With no one holding her back, Ammalie sets off on her own, telling no one where exactly she’s going. She begins a journey to visit three specific locations, many thousands of miles apart, using old keys to gain entry. To reach these places—one she visited with Vincent and two he visited without her—she sleeps in her car, eats canned goods from the container, and often forgoes indoor plumbing. She hopes the trip will reveal more to her about Vincent, but as she runs into challenges, the person she ends up learning about is herself. Told in a close third person, the book follows Ammalie as she meets exciting people as well as wobbles off-kilter from too much time alone, talking to her belongings and failing to adequately care for her physical needs. The author deftly depicts the escalating loneliness and fear Ammalie feels as hours on her own accumulate. Because of the solo nature of her journey, a large chunk of the book takes place inside Ammalie’s head, which does slow things down. Even so, the author’s nuanced descriptions of Ammalie’s determination, joy, and trepidation as she meets people, as well as the lessons she takes away from each of the encounters, are engaging enough to get you through the slower portions. The book examines weighty topics like grief, marriage struggles, and growing older in a manner that is thought-provoking and insightful.
A satisfying examination of one woman’s journey of self-discovery.Pub Date: July 16, 2024
ISBN: 9780593724200
Page Count: 336
Publisher: Dell
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
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