Watching these two women peer at each other as they terrorize the bookshelves is great fun.
A former nurse with a cruel streak and an aspiring novelist check each other out in this eerie thriller set in a library.
Jane leaves her nursing job after her friend Donna catches her coldly and quietly letting a patient die. To stay out of prison, Jane changes her name to Margo and gets a job at a library. At first, Margo’s new co-worker Patricia reminds her of Donna, bringing up old fears of being judged. But when Margo lets a woman die in the library bathroom, Patricia catches her doing it, and unlike Donna, she says nothing. “It’s a beautiful thing, to be seen and understood. To be cared for,” Margo thinks. But Patricia is a frustrated writer who is working in the library only until she can sell a novel. And when she sees Margo’s vicious streak (“The whole scene stirs something in me: a powerful urge”), she has an idea for a story. Thus begins a wicked friendship between two women who only pretend to care. Though the book is told in the first person from the two women's alternating points of view, their voices are similar enough to seem continuous. Margo is charming until she’s not, savoring her victims’ gruesome last moments, while Patricia is equally ruthless in pursuit of her story. Patricia occasionally stops to write down snippets for her novel, editing her impressions of Margo in real time: “Did I imagine that rage-darkened face? Did I invent the whole scene? Looking at M now, restored to her former self, I would have to say yes.” With the police investigating a suspicious number of deaths—at a library of all places—the pressures is on for Margo to keep up appearances and for Patricia to get enough material for her book before one or both of them are caught.
Watching these two women peer at each other as they terrorize the bookshelves is great fun.Pub Date: July 18, 2023
ISBN: 9780593543702
Page Count: 256
Publisher: Putnam
Review Posted Online: May 9, 2023
Kirkus Reviews Issue: June 1, 2023
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A dark and twisty look at just how far one woman is willing to go to find inspiration.
A struggling writer finds an unexpected muse when a mysterious man shows up at her cabin.
Petra Rose used to pump out a bestselling book every six months, but then the adaptation happened—that is, the disastrous film adaptation of her most famous book. The movie changed the book’s storyline so egregiously that fans couldn’t forgive her, and the ensuing harassment sent Petra into hiding and gave her a serious case of writer’s block. Petra’s one hope is her solo writing retreat at a remote cabin, where she can escape the distractions of real life and focus on her next book, a story about a woman having an affair with a cop. When officer Nathaniel Saint shows up at her cabin door, inspiration comes flooding back. Much like the character from Petra’s book, Saint is married, and he’s willing to be Petra’s muse, helping her get into her characters’ heads. Petra’s book is practically writing itself, but is the game she’s playing a little too dangerous? Does she know when to stop—and, more importantly, is Saint willing to stop? Hoover is no stranger to controversial movie adaptations and internet backlash, but she clarifies in a note to readers that she’s “just a writer writing about a writer” and that no further connections to her own life are contained in these pages—which is a good thing, because the book takes some horrifying twists and turns. Petra finds herself inexplicably attracted to Saint, even as she describes him as “such an asshole,” and her feelings for him veer between love and hate. The novel serves as a meta commentary on the dark romance genre—as Petra puts it, “Even though, as readers, we wouldn’t want to live out some of the fantasies we read about, it doesn’t mean we don’t enjoy reading those things.”
A dark and twisty look at just how far one woman is willing to go to find inspiration.Pub Date: Jan. 13, 2026
ISBN: 9781662539374
Page Count: -
Publisher: Montlake
Review Posted Online: Sept. 27, 2025
Kirkus Reviews Issue: Nov. 1, 2025
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