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BEYOND THAT, THE SEA

A circuitous but sensitive novel from an author to watch.

Domestic worlds collide when an 11-year-old evacuated from England to the United States during World War II is absorbed into a new family, reconfiguring both its equilibrium and her own.

Spence-Ash’s debut takes a multiperspective approach to one minor wartime decision that impacts multiple lives across time and place—from the 1940s to the 1970s in London, Boston, and on a magical island off the coast of Maine. The last is where the Gregory family spends each summer, as Beatrix Thompson will learn to do too, during the five years, from 1940 to '45, she spends with the Gregorys: parents Ethan and Nancy, sons William and Gerald. Back in Blitz-stricken London, her parents, Reginald and Millie, miss Bea intensely and argue about the wisdom of Reginald’s insistence on her departure. Reginald is a factory worker with “no money in savings at all,” while the Gregorys are “house-rich and dollar poor,” Ethan employed as a teacher. The class divide is just one element to which Beatrix must adapt, but as the daughter Nancy always wanted and a treasured companion to both boys, her new role develops into a positive, enlarging experience for all parties in America. After the war and Beatrix’s return to England, her relationship with the Gregorys begins to drift. And, with the novel's decade-spanning timeline and episodic structure, so does Spence-Ash’s plot momentum. Postwar relationships, children, and deaths occur, accompanied by glimpses of tenderness and connection, but there’s also a hollow restlessness to the narrative, compounded by the sketchiness of some characters, including a major one who disappears without much impact. It’s the women who emerge most vividly from this delicate yet porous story that eventually yields to a predictable conclusion.

A circuitous but sensitive novel from an author to watch.

Pub Date: March 21, 2023

ISBN: 9781250854377

Page Count: 368

Publisher: Celadon Books

Review Posted Online: Jan. 11, 2023

Kirkus Reviews Issue: Feb. 1, 2023

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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MONA'S EYES

A pleasant if not entirely convincing tribute to the power of art.

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A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.

One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.

A pleasant if not entirely convincing tribute to the power of art.

Pub Date: Aug. 26, 2025

ISBN: 9798889661115

Page Count: 432

Publisher: Europa Editions

Review Posted Online: June 7, 2025

Kirkus Reviews Issue: July 15, 2025

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